Results 251 to 260 of about 6,738,037 (328)
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2001
Genre is a concept used in film studies and film theory to describe similarities between groups of films based on aesthetic or broader social, institutional, cultural, and psychological aspects. Film genre shares similarities in form and style, theme, and communicative function. A film genre is thus based on a set of conventions that influence both the
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Genre is a concept used in film studies and film theory to describe similarities between groups of films based on aesthetic or broader social, institutional, cultural, and psychological aspects. Film genre shares similarities in form and style, theme, and communicative function. A film genre is thus based on a set of conventions that influence both the
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Framework: The Journal of Cinema and Media, 2007
Rethinking Genre Theory Film Genre: Hollywood and Beyond, by Barry Langford, Edinburgh University Press, 2005. Barry Langford correctly contends that while "film genre" has become an increasingly contested concept in film scholarship, the "genre film" continues to dominate much of Hollywood's annual output.
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Rethinking Genre Theory Film Genre: Hollywood and Beyond, by Barry Langford, Edinburgh University Press, 2005. Barry Langford correctly contends that while "film genre" has become an increasingly contested concept in film scholarship, the "genre film" continues to dominate much of Hollywood's annual output.
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2021
This chapter considers The Lord of the Rings through the lens of genre theory. It briefly summarises the genre theories of Andre Bazin, Robert Warshow and Laurence Alloway. It goes on to consider The Lord of the Rings’ relationship to different cinematic genres (e.g. fantasy, the war film, action-adventure, etc.).
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This chapter considers The Lord of the Rings through the lens of genre theory. It briefly summarises the genre theories of Andre Bazin, Robert Warshow and Laurence Alloway. It goes on to consider The Lord of the Rings’ relationship to different cinematic genres (e.g. fantasy, the war film, action-adventure, etc.).
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2000
To argue for a Romantic genre theory may seem surprising. This is the period when William Wordsworth writes that every author must ‘ creat[e] the taste by which he is to be enjoyed’, when Madame de Stael praises Germany as opposed to France because its authors ‘form [their] public’, and when Victor Hugo insists that writers be judged by the ‘laws of ...
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To argue for a Romantic genre theory may seem surprising. This is the period when William Wordsworth writes that every author must ‘ creat[e] the taste by which he is to be enjoyed’, when Madame de Stael praises Germany as opposed to France because its authors ‘form [their] public’, and when Victor Hugo insists that writers be judged by the ‘laws of ...
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Journal of Second Language Writing, 2022
Lianjiang Jiang, Shulin Yu, Icy Lee
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Lianjiang Jiang, Shulin Yu, Icy Lee
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Audience, genre, method, theory
HAU: Journal of Ethnographic Theory, 2015Comment on Coleman, Gabriella. 2014. Hacker, hoaxer, whistleblower, spy: The many faces of Anonymous . London and New York: Verso.
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The suicide note as a genre: Implications for genre theory
, 2015Betty Samraj, J. Gawron
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