Results 1 to 10 of about 2,235 (173)

“I’m gonna lose my strength, I’m gonna seize and die, And all that Jazz”! Neurological diseases in jazz legends [PDF]

open access: yesArquivos de Neuro-Psiquiatria, 2021
Even though jazz is a musical style that excels in improvisation and virtuosity, it is not without its share of anecdotes, drama, and downright tragedy, and the biographies of jazz musicians and their demise are fraught with ominous and dire straits ...
Francisco Manoel Branco Germiniani   +3 more
doaj   +2 more sources

The uncinated crisis of George Gershwin [PDF]

open access: yesArquivos de Neuro-Psiquiatria, 2002
George Gershwin, renowned composer and pianist, well known for his popular works, died on the 11th July 1937 due to a brain tumor. His neurological symptoms first appeared on that same year, in February, with a simple olfactory partial seizure ...
Hélio A.G. Teive   +4 more
doaj   +6 more sources

Hospitalidad y reciprocidad en ritmo de arrullo. Representaciones trinitarias del amor maternofilial en la canción de cuna de autor conocido

open access: yesFranciscanum, 2021
Lullabies written by a known author are distinguished by returning to enunciative and semantic aspects of the folk genre and modify them, so even an author sitting in front of a white paper, no children in sight, will still keep in mind an utterance ...
Marina di Marco
doaj   +1 more source

Akkordstrukturen in George Gershwins Porgy and Bess [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2012
Die farbige Jazz-Harmonik George Gershwins beruht auf einem charakteristischen Akkordrepertoire. Anhand seiner Oper Porgy and Bess soll dieses Repertoire systematisch dargestellt und für die Unterrichtspraxis fruchtbar gemacht werden.
Liselotte Kunkel
doaj   +1 more source

Między kulturą wysoką a kulturą popularną. O muzyce George'a Gershwina w „Manhattanie” Woody'ego Allena

open access: yesImages, 2013
Between high culture and popular culture. The music of George Gershwin in Manhattan by Woody Allen The article focuses on the relationships between high culture and popular culture in relation to film music.
Piotr Pomostowski
doaj   +1 more source

Review of Wayne Schneider, ed. 1999. The Gershwin Style: New Looks at the Music of George Gershwin. New York: Oxford University Press

open access: yesCurrent Musicology, 2000
This volume, published just after the Gershwin centenary in 1998, already seems to belong to an awkward age of transition in musicology. A number of the book's twelve essays beat the drums for a new approach to Gershwin that would rescue him from the ...
David Schiff
doaj   +1 more source

Discriminating Ears: Critical Receptions of Blackness in the Music of George Gershwin and William Grant Still

open access: yesNota Bene, 2018
At the apex of their careers, composers George Gershwin and William Grant Still produced what they believed were their finest works: respectively, Porgy and Bess (1935), an opera by a white American composer about African American subjects, and Troubled
Hannah Edgar
doaj   +1 more source

Manhattan Woody'ego Allena. Poetyka Introdukcji

open access: yesImages, 2013
Woody Allen’s Manhattan. Poetics of the Introduction Marek Hendrykowski’s innovative study on the four-minute opening sequence to Manhattan analyses one of the most beautiful introductions in the history of world cinema.
Marek Hendrykowski
doaj   +1 more source

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