Results 11 to 20 of about 4,531 (252)

INTENTIONAL PHONETIC DEVIATIONS IN FICTION AS A TRANSLATION PROBLEM (BASED ON “FLOWERS FOR ALGERNON” BY D. KEYES)

open access: yesМногоязычие в образовательном пространстве, 2023
The article examines deliberate phonetic deviations in a literary text on the example of “Flowers for Algernon” by D. Keyes and its translations into Russian.
Yu.А. Borisenko
doaj   +1 more source

SPECIFICS OF PIRATED TRANSLATIONS OF AMERICAN FEATURE FILMS INTO RUSSIAN VIA SINGLE VOICE-OVER

open access: yesМногоязычие в образовательном пространстве, 2023
The article examines the features of pirated translations of American films into Russian made in the 1980s-90s via single voice-over. The work is relevant due to the lack of diachronic studies concerning the domestic practice of audiovisual translation ...
O.P. Kuzyaeva, Yu.D. Aginova
doaj   +1 more source

Deutsch als lingua franca: Bericht über ein forschungsbasiertes Lehrprojekt der 4EU+Allianz [PDF]

open access: yesBeiträge zur Allgemeinen und Vergleichenden Sprachwissenschaft, 2023
This paper presents an overview of the activities and results of the European Network of German and Contrastive Linguistics (GerCoLiNet), which was part of the European University Alliance 4EU+ (May 2021 – June 2022).
Hélène Vinckel-Roisin
doaj   +1 more source

COMMUNICATIVE STRATEGIES AND LINGUOSTYLISTIC MEANS OF THEIR IMPLEMENTATION IN ENGLISH TEA COMMERCIALS: TRANSLATION ASPECT

open access: yesМногоязычие в образовательном пространстве, 2023
The study concerns one of the problems connected with translating advertising discourse, which presents a popular type of contemporary interlingual and cross-cultural communication.
N.M. Shutova, A.A. Eltsova
doaj   +1 more source

Neural processing of poems and songs is based on melodic properties

open access: yesNeuroImage, 2022
The neural processing of speech and music is still a matter of debate. A long tradition that assumes shared processing capacities for the two domains contrasts with views that assume domain-specific processing.
Mathias Scharinger   +3 more
doaj   +1 more source

LINGUISTIC MEANS OF HYPERBOLIZATION IN GERMAN COURTLY LITERATURE (BY THE EXAMPLE OF EMOTIONAL VOCABULARY) [PDF]

open access: yesPhilology. Theory & Practice, 2018
The article is devoted to analyzing the tendency for hyperbolization as one of the key characteristics of German medieval literature. This tendency is considered regarding the description of the personage’s inner emotional world because the writers of the so called courtly epoch focused just on the emotional sphere.
openaire   +1 more source

"C’era una volta una figliastra"… Distanziamenti e riavvicinamenti tra studi letterari e linguistica nella Germanistica italiana ovvero "un" resoconto

open access: yesLea, 2018
In this paper I try to answer the question if – and if so, how – the dialogue between Literary Studies and Linguistics can (still) be enriching for both disciplines.
Sabrina Ballestracci
doaj   +1 more source

Intertextuality as a modern linguo-cognitive practice: new forms of linguistic expression in the German postmodern literature

open access: yesVestnik of Samara University. History, pedagogics, philology, 2021
The phenomenon of intertextuality requires deep rethinking in the postmodern era, because determines the formation of a new type of creative thinking that allows going beyond the limits of a work of art. At the same time, it is extremely important to study German postmodernism, which has both common European features and its own specificity, due to ...
openaire   +2 more sources

Famous protagonists interfere with discourse topicality during pronoun resolution

open access: yesGlossa Psycholinguistics
The aim of the current study is to assess the impact of the wider discourse on pronoun interpretation. We specifically look at German demonstrative pronouns (dieser) in comparison to personal pronouns (er), investigating whether dieser-demonstratives are
Petra B. Schumacher   +2 more
doaj   +1 more source

Prosody-Based Sound-Emotion Associations in Poetry

open access: yesFrontiers in Psychology, 2018
Conveying emotions in spoken poetry may be based on a poem's semantic content and/or on emotional prosody, i.e., on acoustic features above single speech sounds. However, hypotheses of more direct sound–emotion relations in poetry, such as those based on
Maria Kraxenberger   +4 more
doaj   +1 more source

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