Results 21 to 30 of about 62,666 (135)
Prefazione a "L'orecchio verde di Gianni Rodari"
Rodari letto alla luce dell'educazione ...
BOERO, GIUSEPPE PAOLO PINO
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Samuil Marshak’s brief account “Why Did I Translate Gianni Rodari’s poems” [Marshak 1971] provides an interesting “inside look” at his translation practice in relation to the poems of the Italian children’s poet.
Джулия Де Флорио
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Il libro degli errori di Gianni Rodari
Presentazione e lettura de Il libro degli errori di Gianni ...
Federico Batini
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The article examines the early stages of the work of Italian children’s poet, prose writer, and editor of children’s periodicals, Gianni Rodari. The authors analyze Rodari’s work in the context of the postwar situation in Italy; the authors considers ...
Марина Балина +1 more
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Metaficción en los libros infantiles italianos del siglo XXI
En este artículo se lleva a cabo una revisión de libros italianos para niños publicados en el siglo XXI. En estas publicaciones se aprecia una fuerte tendencia metaliteraria que pone en un primer plano y de forma explícita los mecanismos de la propia ...
Loreto Gómez-López-Quiñones
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La pubblicazione dell’opera La Grammatica della Fantasia avviene, in Italia, nel 1973 e sarà la prima opera di Gianni Rodari ad essere tradotta e pubblicata in Brasile, nel 1982.
Elisa Alberani
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Roger Salomon traducteur de la Grammatica della fantasia de Gianni Rodari
This article provides a study of the French translation of Rodari’s Grammatica della Fantasia by Roger Salomon. Besides analysing the translator’s peritexts (translator’s notes, appendix), we dwell on examples of addition of elements in the target text ...
Mirella Piacentini
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«Rodari the educationist» today, and the rights of the child
The purpose of this contribution is to explore the educationist thinking of children's writer Gianni Rodari and assess its relevance to today, approaching the centenary of his birth (1920), and with the Convention on the Rights of the Child (CRC, 1989 ...
Mirca Benetton
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1972, Reggio Emilia and the school books
Fifty years have passed since both Gianni Rodari's “Meetings on the Fantastic”, from which Grammatica della fantasia originated, and I pampini bugiardi by Marisa Bonazzi and Umberto Eco were published. The paper is inspired by this double anniversary and
Nicola Zuccherini
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Whoʼs afraid of comics? When Gianni Rodari was the ‘devil’ and when he ‘desecrated’ childhood
In order to understand Gianni Rodariʼs originality one must retrace his biography and his work, and take into account that he was proudly a factious man, a politically committed journalist and an expression of primordial Italian post-war left-wing ...
Angela Articoni
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