Results 141 to 150 of about 42,072 (200)

Words from a Painting by Giorgio de Chirico, and: Wild Valentine

Colorado Review, 2023
:The painting that "speaks" was chosen by Apollinaire (at Di Chirico's invitation) as his "portrait."Abstract:The poem explores physical, religious, historical, and dream identities of the valentine.
Angela S. Ball
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Features of the representation of architectural space in the painting works of Giorgio de Chirico

Urban Construction and Architecture
This article describes the features of the depiction of architectural space in the paintings of the surrealist artist Giorgio de Chirico. In general terms, surrealism is described as an artistic style of the early twentieth century, its emergence ...
Alexey Yu. Lysenkov
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THE PROBLEM OF INTERPRETATION OF THE HOMER’S ILIAD TEXT IN GIORGIO DE CHIRICO’S CYCLE OF BOOK ILLUSTRATIONS

Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица»
Целью статьи было изучение формально- стилистических и содержательных особенностей интерпретации текста поэмы Гомера «Илиада» в цикле книжных иллюстраций Дж. де Кирико.
А.А. Лобская
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de Chirico, Giorgio (1888–1978)

2018
The modern Italian painter Giorgio de Chirico was born in the port city of Volos in the Grecian province of Thessaly. After training in Athens and Munich, he lived briefly in Milan and Florence before moving to Paris in 1911. There, between 1911 and 1915, he developed the highly original, ‘metaphysical’ style of painting on which his reputation is ...
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L'Art métaphysique

, 1996
Giorgio de Chirico, Giovanni Lista
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Giorgio de Chirico

Grey Room, 2011
Giovanni Loreto, Ara H. Merjian
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Autour de l'œuvre de Giorgio de Chirico

Bulletin de la Classe des Beaux-Arts, 1972
Ransy Jean. Autour de l'œuvre de Giorgio de Chirico. In: Bulletin de la Classe des Beaux-Arts, tome 54, 1972. pp. 136-142.
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Whatever: Giorgio Agamben’s gender trouble

Textual Practice, 2021
Stephen Thomson
exaly  

A Ghost Image—Giorgio de Chirico’s Portrait of Guillaume Apollinaire —About a Problem with Identity in the Genre “Portrait” in the 20th Century

OALib
Gudrun Latten
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The Surrealist Influence of Giorgio de Chirico on John Ashbery

Journal of Humanities Arts and Social Science
Yu Zhang
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