Results 31 to 40 of about 17,338 (231)

L'autoreferencialitat en l'art. El metallenguatge en el mitjà digital

open access: yesArtnodes, 2007
Aquest article analitza les obres d'alguns artistes digitals que utilitzen els recursos propis del mitjà digital com a missatge central. La nostra intenció serà exposar les múltiples formes d'utilitzar, desenvolupar i manipular el metallenguatge ...
Eloi Puig
doaj   +1 more source

AESTHETICS OF GLITCH ART: ORIGINS AND MEANINGS

open access: yesArts education and science, 2021
The relevance of the article is associated with the rapid development of various forms of digital art, due to the increasing role of information technologies, which have caused fundamental transformation processes in the modern cultural environment.
openaire   +1 more source

Avalanche dynamics of radio pulsar glitches [PDF]

open access: yes, 2007
We test statistically the hypothesis that radio pulsar glitches result from an avalanche process, in which angular momentum is transferred erratically from the flywheel-like superfluid in the star to the slowly decelerating, solid crust via spatially ...
A. Melatos   +9 more
core   +1 more source

Meta‐Virtuality: Strategies of Disembeddedness in Virtual Interiorities

open access: yesJournal of Interior Design, EarlyView., 2022
ABSTRACT To reclaim their seat in the rapidly growing market of virtual space, designers of the built environment can benefit from reevaluating theories that see the virtual as a mere extension/reflection of the physical. By claiming ontological autonomy from external worlds, the virtual is liberated from the hegemonic control of the physical.
Vahid Vahdat
wiley   +1 more source

Everything that arises does not converge: the audiovisual and the incomplete

open access: yesSoundEffects, 2013
Computational culture is often explored through discourses of completion and in terms of the complete and this bias extends to accounts exploring new media and the senses, where it may be expressed in terms of priority as an assertion of the ‘proper ...
Caroline Bassett
doaj   +1 more source

Making touch visible with the suture of fantasy with virtual aesthetician in “The Best Facial Clinic” – The glitchy-score of tele-synaesthesia performance in the age of global pandemic

open access: yesArtnodes, 2021
In the wake of the COVID-19 pandemic, we have been adapting as fugitives of this accidental encounter with an “untouchable” virus, while being rendered into the shared virtual arena, where our discursive bodies are situated within, embedded in and tele ...
Ada Xiaoyu Hao
doaj   +1 more source

Deep Transfer Learning: A new deep learning glitch classification method for advanced LIGO

open access: yes, 2017
The exquisite sensitivity of the advanced LIGO detectors has enabled the detection of multiple gravitational wave signals. The sophisticated design of these detectors mitigates the effect of most types of noise.
George, Daniel   +2 more
core   +2 more sources

The Aesthetics of Imperfection: A Theoretical Evaluation of the Meaning Layers of Glitch Aesthetics in Communication Design and Cinema

open access: yesCINEJ Cinema Journal
Glitch aesthetics based on digital errors and visual noise, has become a notable phenomenon in contemporary art, design, and visual culture, challenging the notion of digital perfection.
Zuhal Akmeşe
doaj   +1 more source

Cost-benefit analysis for commissioning decisions in GEO600 [PDF]

open access: yes, 2015
Gravitational wave interferometers are complex instruments, requiring years of commissioning to achieve the required sensitivities for the detection of gravitational waves, of order 10^-21 in dimensionless detector strain, in the tens of Hz to several ...
Adams, T.   +19 more
core   +4 more sources

El movimiento como simulacro en el mundo virtual: Michael Betancourt y el arte de la inmediatez.

open access: yesEspacio, Tiempo y Forma. Serie VII, Historia del Arte, 2016
La creación artística se ha acercado en los últimos tiempos a la imagen mediática que propone Internet, alterando sustancialmente una experiencia estética antes basada en el movimiento del espectador en torno a la obra y definida ahora por pantallas que
José Manuel García Perera
doaj   +1 more source

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