Results 211 to 220 of about 69,940 (255)
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Art History and the Culture of the Image: A Manifesto for Global Art History
2016exaly +2 more sources
Art History, Postcolonialism, and the Global Turn
ARTMargins, 2023Abstract When taken as a conglomerate, the postcolonial, the global, and the decolonial might signal a coordinated “decolonizing” action—one of breaking with the Eurocentric, patriarchal, and nationalist foundations of art history. Yet from a disaggregating perspective, these three terms and their respective domains cannot be seen as ...
Joshua I. Cohen +2 more
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Abstract Art: A Global History
2021Review of Abstract Art: A Global History, Reviewed January 2021 by Jason Rovito, Bookseller, ILAB, jason@paperbooks.ca.
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2013
The question posed by the seminar and book’s title itself is global, sprawling and boundless, not just for its scope but for its ambiguity.1 Does it ask if art history is globally practiced, or that its theory is relevant for all times and climes on this planet?
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The question posed by the seminar and book’s title itself is global, sprawling and boundless, not just for its scope but for its ambiguity.1 Does it ask if art history is globally practiced, or that its theory is relevant for all times and climes on this planet?
openaire +1 more source
2013
Section 1. Introductory Essay Section 2. Starting Points Notes on Art History in Latin America Andrea Giunta The Modality of Spatial Categories Friedrich Teja Bach Section 3. The Art Seminar Section Section 4. Assessments Section 5.
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Section 1. Introductory Essay Section 2. Starting Points Notes on Art History in Latin America Andrea Giunta The Modality of Spatial Categories Friedrich Teja Bach Section 3. The Art Seminar Section Section 4. Assessments Section 5.
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2020
Are the practices of Western art history appropriate for the study of art from cultures outside its geographical boundaries and conventional timeframe? The bias in this interpretation of the subject opens up the questions of the importance of the canon in art history and how we view non-figurative, primitive, and naive art.
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Are the practices of Western art history appropriate for the study of art from cultures outside its geographical boundaries and conventional timeframe? The bias in this interpretation of the subject opens up the questions of the importance of the canon in art history and how we view non-figurative, primitive, and naive art.
openaire +1 more source