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Questions on “world art history” [PDF]

open access: yesPerspective, 2014
The choice of this theme for debate has been stimulated by recent discussions of the globalization of art history, and the increasing emphasis placed in the discipline on the notion of “world art history,” perhaps best exemplified by the books of James Elkins and David Summers: James Elkins, Is Art History Global?
Zainab Bahrani   +4 more
doaj   +3 more sources

Concepts for art history in a changing world [PDF]

open access: yes, 2010
In an article written in 2002 by the art historian T J Clark he confronted his own past with a self-recognition that he had failed to “get right” certain works of art that were compellingly “contemporaneous” in his earlier years . This was not a mere personal reflection but something of a commentary on certain trajectories of art historical work.
Walden, Jenny
openaire   +3 more sources

‘Surrealism and Australia: towards a world history of Surrealism’ [PDF]

open access: yesJournal of Art Historiography, 2013
In this paper, the authors write a brief history of Surrealism in relation to Australia. However, as against the usual national histories of Australian art, in which Surrealism is understood as arriving late to the country, or the later post-colonial ...
Rex Butler, A.D.S. Donaldson
doaj   +3 more sources

Endosmosis: bio-geographical sources of a World Art History [PDF]

open access: yesJournal of Art Historiography, 2023
The establishment of non-European art historical scholarship at the University of Vienna narrates the influence of turn of the twentieth century German academic exchanges between natural sciences and the humanities.
Zehra Tonbul
doaj   +1 more source

‘Towards a truly global art history’. Review of: 20th Century Indian Art: Modern, Post-Independence, Contemporary by Partha Mitter, Parul Dave Mukherji, Rakhee Balaram, London: Thames and Hudson 2022 [PDF]

open access: yesJournal of Art Historiography, 2022
The present review of 20th Century Indian Art focuses on the book’s contribution to debates around ‘global art history’ and ‘world art studies’. What methodological breakthroughs can be gained from the comparative study of regions outside Europe and the ...
Rafael Cardoso
doaj   +1 more source

Deer or Horses with Antlers? Wooden Figures Adorning Herders in the Altai

open access: yesArts, 2023
Among the burials of horse herders who lived in the 4th–3rd centuries BCE Altai Mountains of South Siberia were some that contained small wooden figures of four-legged hoofed animals that represent horses, deer, or hybrid creatures.
Karen S. Rubinson, Katheryn M. Linduff
doaj   +1 more source

ICOMOS Charters on cultural tourism throughout the 50 years of the UNESCO World Heritage Convention

open access: yesRestauro Archeologico, 2023
This paper outlines the contribution of the ICOMOS International Scientific Committee on Cultural Tourism (ICTC) to tourism management throughout the history of the UNESCO Convention Concerning the Protection of the World Natural and Cultural Heritage ...
Margaret Gowen   +3 more
doaj   +1 more source

Who Is an Artist? Identity, Individualism, and the Neoliberalism of the Art Complex

open access: yesArts, 2023
The fantasized artist-as-origin began as the quintessential figure manifesting Enlightenment European concepts of individual autonomy and sovereign subjectivity—and thus of identity and meaning as these come to define and situate human expression as well
Amelia G. Jones
doaj   +1 more source

Continuity and Change: Socio-Spatial Practices in Bamberg's World Heritage Urban Horticulture

open access: yesUrban Planning, 2023
The German city of Bamberg offers lessons in how continuity and change interact within the context of the inner-urban land use of commercial horticulture, thereby informing sustainable urban transformations in historic cities.
Heike Oevermann   +4 more
doaj   +1 more source

The role of A. Makhmudov and Sh. Tagirov in the revival of book art traditions in the culture of the Middle Volga Region Tatars

open access: yesИсторическая этнология, 2020
The article explores the period of reviving the art of calligraphy and handwritten book art in the Tatar culture, which falls on the end of the XIX century and is associated with the names of A. Makhmudov and Sh. Tagirov.
Firdaus G. Vagapova   +1 more
doaj   +1 more source

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