Results 21 to 30 of about 1,686 (253)

Enhancement of glossiness perception by retinal-image motion: additional effect of head-yoked motion parallax.

open access: yesPLoS ONE, 2013
It has been argued that when an observer moves, a contingent retinal-image motion of a stimulus would strengthen the perceived glossiness. This would be attributed to the veridical perception of three-dimensional structure by motion parallax. However, it
Yusuke Tani   +5 more
doaj   +1 more source

Localization of Human Cortical Areas Underlying Glossiness Perception: An fMRI Study

open access: yesi-Perception, 2011
We conducted two fMRI experiments to clarify what cortical areas are involved in perception of surface glossiness. To dissociate activations caused by glossiness from those caused by low-level features such as luminance and luminance contrast of the ...
Yuichi Sakano   +2 more
doaj   +1 more source

The Effect of Hot and Cold Check Tests on Surface Roughness and Glossiness in Varnished Wood Material

open access: yesDrvna Industrija, 2023
In this study, specimens from Scots pine (Pinus sylvestris L.), Anatolian chestnut (Castanea sativa Mill.) and Eastern beech (Fagus orientalis Lipsky) tree species, prepared according to ISO 3129, were conditioned according to TS ISO 13061-1.
Abdi Atilgan, Sait Dündar Sofuoğlu
doaj   +1 more source

Glossiness Perception Enhanced by Retinal-Image Motion from Object-Motion and Self-Motion

open access: yesi-Perception, 2011
Specular highlight, which is one of physical correlates of glossiness perception, moves on an object surface depending on the illumination, viewpoint and motion of the object.
Keisuke Araki   +5 more
doaj   +1 more source

Influence of Tobiko-Mixed Artificial Diet on Textile Properties of Bombyx mori Silkworm Cocoons

open access: yesJournal of Natural Fibers, 2022
We attempted to use tobiko powder, a byproduct of the konjac cake production, to rear the 5th-instar silkworms by mixing it in the artificial diet, and found that tobiko powder was usable up to the mixing ratio of 20 wt%.
Masaki Yamamoto   +4 more
doaj   +1 more source

Effects of Artificial Weathering on Some Surface Properties of Anatolian Chestnut (Castanea sativa Mill.) Wood Applied with Yacht Varnish

open access: yesBioResources, 2023
Anatolian chestnut wood is an industrial material used in various indoor and outdoor applications in Turkey. This study investigated the effects of artificial weathering (times: 144, 288, 432, and 576 h) conditions on color parameters (L*, ∆L*, a*, ∆a ...
Goksel Ulay
doaj   +2 more sources

The effect of accelerated weathering on some surface properties of heat-treated sweet bay wood (Laurus nobilis L.)

open access: yesTurkish Journal of Forestry, 2020
In this study, the effect of the accelerated weathering process on some surface properties of heat-treated sweet bay wood (Laurus nobilis L.) was investigated. Wood samples were heat-treated at 160 ℃, 180 ℃, 200 ℃and 210 ℃ for 2 hours.
Hikmet Yazıcı, İ̇smail Özlüsoylu
doaj   +1 more source

Comparative Transcriptome Analysis of Eggplant (Solanum melongena L.) Peels with Different Glossiness

open access: yesAgronomy
Peel glossiness is an important commercial trait of eggplant (Solanum melongena L.). In this study, two eggplant-inbred lines with different levels of peel glossiness were used to identify genes related to peel glossiness.
Hong Wang   +4 more
doaj   +1 more source

Investigation of the Effects of Marble Material Properties on the Surface Quality

open access: yesAdvances in Materials Science and Engineering, 2018
This study aims to investigate the effects of material properties of marble on surface roughness and glossiness. For this purpose, four types of limestones were investigated.
Sümeyra Cevheroğlu Çıra   +2 more
doaj   +1 more source

La retouche des peintures acryliques en émulsion non vernies : Aquazol 200. Étude des capacités physiques, chimiques et optiques d’un liant

open access: yesCeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2012
Glossy retouching is one of the restoration problems which occur with unvarnished  acrylic emulsion paintings. Due to the sensitivity to many solvents, every glossy retouching technique has to be avoided because they are not compatible.
Alice Sautois
doaj   +1 more source

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