Results 51 to 60 of about 771 (156)
Three Hittite Inscribed Artifacts from Erimtan Museum
BelletenThis study presents the first scholarly edition of three inscribed artifacts from Hittite Anatolia, currently preserved in the Erimtan Museum in Ankara.
Yiğit Hayati Erbil, Alice Mouton
doaj +1 more source
Ancient Near Eastern glyptic in the National Gallery of Victoria, Melbourne, Australia
, 2001 Ancient Near Eastern glyptic in the National Gallery of Victoria, Melbourne ...
P Merrillees (13298148)
core
The Use of UV-Visible Diffuse Reflectance Spectrophotometry for a Fast, Preliminary Authentication of Gemstones. [PDF]
Molecules, 2022 Aceto M +6 more
europepmc +1 more source
Mathematical investigation of Glyptic Iconographies: a new synthesis
, 2021 The huge and long-lasting production of cylinder seals in ancient Western Asia is one of the most typical features which characterized its civilizations along almost three millennia.
Straccia U. +2 more
core
Hitit İkonografisinde “Kucaklama Sahneleri”ne Filolojik Bir Yaklaşım
BelletenHitit görsel sanatından bildiğimiz tanrının kralı kucakladığı ve “kucaklama sahnesi” (Umarmungsszene) adıyla literatüre giren kucaklama eyleminin Hitit dilinde bir karşılığı bulunmamaktadır.
Nazan Baş
doaj +1 more source
'Baltic catacombs.' Translating corpisanti catacomb relic-sculptures between Rome, Polish Livonia, and the Lithuanian Grand Duchy circa 1750-1800. [PDF]
Open Res Eur, 2021 Budzyński R +5 more
europepmc +1 more source
, 2023 Glyptics is the art of engraving on precious and semi-precious gems. The resulting engraved gems, also called intaglios or cameos, were considered a luxury in a variety of ancient civilizations. The University of Tartu Art Museum planned an exhibition, dedicated to that art.
openaire +1 more source
The Deities of Karkemish in the Middle Bronze Age according to Glyptic and Textual Evidence
, 2019 Only three deities of Karkemish can be identifed with certainty in the glyptic and textual evidence from the Middle Bronze Age. However few, their identities—the Mesopotamian Nergal, Anatolian Kubaba, and Hurrian Nubandag—are nonetheless highly ...
Nicolò Marchetti, Gianni Marchesi
core +1 more source
, 2003 This dissertation examines the development and use of the imagery of the contest scene depicted on cylinder seals—glyptic art—produced during the Akkadian period in greater Mesopotamia.
Rakic, Yelena Zora
core
Materiale și Cercetări ArheologiceThis article brings into discussion the Latin sources of the 1 st –3 rd centuries AD, supplementing the information on archaeological discoveries pertaining to glyptic art.
Hamat, A.
doaj +1 more source