Results 61 to 70 of about 771 (156)
Ritual scenes in Urartian Glyptic
Based on their shape, Urartian seals can be divided into several categories. Those most commonly encountered include cylinder, stamp and stamp-cylinder seals. Present article discusses these categories and attempts to connect some of the more prominent shapes os Urartian seals with a designated function.
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Mark B. GarrisonThe Ritual Landscape at Persepolis: Glyptic Imagery from the Persepolis Fortification and Treasury ArchivesStudies in Ancient Oriental Civilization 72.
Fernández Rodríguez, Carlos
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Institutional symbols in Early Dynastic glyptic art?
The research presented here is based on some considerations related to the so-called Fara Style and the “Contest Scenes”. The numerous seals ascribed to this style are usually described as uniform, as far as the subject is concerned.
ROMANO, LICIA
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Thalassocratic charms: trees, boats, women and the sea in Minoan glyptic art [PDF]
This paper argues that four Minoan glyptic images which combine trees, human figures, boats and the sea represent the combination of native Minoan with Canaanite religious ideas concerning a tree goddess who also had power over the sea.
Tully, C
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Vučedolska kultura u sjeverozapadnoj Hrvatskoj
North-western Croatia (further: NWC) is the part of the S. R. Croatia limited by the stream Ilova in the east, the border with S. R. Slovenia in the west, the border with P. R. Hungary in the north, and by the river Sava in the south.
Zorko Marković
doaj
Fingerprint evidence for the division of labour and learning pottery-making at Early Bronze Age Tell eṣ-Ṣâfi/Gath, Israel. [PDF]
Fowler KD +5 more
europepmc +1 more source
Glyptic Art Under and After Empire: Late Bronze IIB and Iron I Scarabs and Stamp Seals from the Southern Levant [PDF]
This study systematically establishes a methodology for the dating of scarabs and stamp seals from the Late Bronze IIB and Iron I in the Southern Levant. First, it recounts the history of the field’s dating of the typological forms of scarabs. Second, it
Wright, Laura Elizabeth
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Glyptic Depictions of Tyche in Asia Minor
This paper is devoted to depictions of Tyche on engraved gems in Asia Minor, mostly dating from the Roman period. The aim is to create an iconographic typology for Tyche as represented in Roman glyptic art in Turkey, to reveal the development of the iconography of the goddess in the East and to distinguish more individualised images from the products ...
Ergün LAFLI, Martin HENIG
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Chicago, Oriental Institute: Reconstructing Lexicography in Glyptic Art: Structural Relations between the Akkadian age and the Ur III Period (Conferenza).
RAMAZZOTTI, Marco +1 more
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Two Early Helladic II terracotta rollers from Asine and their glyptic context
Two Early Helladic II terracotta rollers from the Third Terrace at Asine are presented. The objects, used to impress relief decoration on pithoi and hearths, are unique in that no other examples are known from the Early Bronze Age Aegean. Their origin is
Mommsen, Hans, +2 more
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