Results 51 to 60 of about 13,701 (235)
Mise au PointLa Chinoise (1967) is the fourteenth feature film directed by Jean-Luc Godard and establishes a turning point in his career. The filmmaker, at the time close to Nanterre’s students, is not yet the militant he will become starting from the events of May ...
Iris Mommeransy
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From Organizational Resilience Capability to Firm Performance: A Time‐Lagged Investigation
Journal of Product Innovation Management, EarlyView.ABSTRACT An organizational resilience capability is essential for firms to adapt in an ever‐changing world characterized by diverse crises and adversities. However, the mechanisms and contingencies needed to harness and channel organizational resilience capability remain uncertain.
Yi‐Ying Chang +5 more
wiley +1 more source
Le contrôle de l'Univers: la dialettica del potere nelle Histoire(s) du cinéma di Jean-Luc Godard
Ricerche di S/Confine, 2010 In Histoire(s) du cinéma, Jean-Luc Godard finally connects his human being’s existence with history of cinema as uncontrollable stream of images, as a system of screens and mirrors that our experience produces and from which it is produced.
Michele Guerra
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Buracos negros: uma intrevista com Hubert Godard [PDF]
, 2010 International audienceTradução Joana Ribeiro da Silva Tavares e Marito Olsson-Forsberg): Hubert Godard, Patricia Kuypers, « Des trous noirs », Nouvelles de danse. Scientifiquement danse,*, n° 53, Contredanse, Bruxelles, 2006, p. 56-75.
Olsson-Forsberg, Marito +3 more
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Secuencias, 2017 En los años sesenta, el cine militante buscó compartir y expandir estrategias y herramientas para la lucha política alrededor del mundo. Ici et ailleurs (1969- 1974), la película que Godard filmó con Jean-Pierre Gorin bajo el marco del Grupo Dziga Vertov
Irmgard Emmelhainz
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Asia Pacific Journal of Human Resources, Volume 64, Issue 3, July 2026.ABSTRACT There have been growing calls by scholars for the re‐contextualisation of human resource management (HRM) research to promote greater theoretical understanding and practical relevance. Within this approach, we argue that there is an important role for historical context, macro‐economic policy and industrial relations as an influence on ...
Peter Holland +2 more
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From the New Wave to the New Hollywood: The Life Cycles of Important Movie Directors from Godard and Truffaut to Spielberg and Eastwood [PDF]
Two great movie directors were both born in 1930. One of them, Jean-Luc Godard, revolutionized filmmaking during his 30s, and declined in creativity thereafter. In contrast, Clint Eastwood did not direct his first movie until he had passed the age of 40,
David Galenson, Joshua Kotin
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German Life and Letters, Volume 79, Issue 3, Page 396-418, July 2026.ABSTRACT This article analyses the ‘Gestus’ of turning in films by Harun Farocki and Christian Petzold, in light of a central claim of Andrew Webber's esteemed theoretical work on film: that film has the power to uncover unconscious processes through which subjects come into being and are made operational for political regimes.
Annie Ring
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Jean-Luc Godard and the other history of cinema [PDF]
Jean-Luc Godard's Histoire(s) du cinema (1988-1998) is a video work made up of visual and verbal quotations of hundreds of images and sounds from film history. But rather than simply telling (hi)stories of cinema, Godard makes a case for cinema as a tool
Morrey, Douglas
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“Revolución Escritura”: los ciné-tracts de Jean- Luc Godard y el arte de mayo de 1968
Significação: Revista de Cultura Audiovisual, 2018 Este artículo examina la participación de Jean-Luc Godard en el proyecto ciné-tracts durante mayo y junio de 1968. Explora dos enfoques de la producción cultural que fueron prominentes en Francia en este periodo, y que influyeron en la práctica artística
Dominic Topp
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