Results 71 to 80 of about 13,701 (235)
European Journal of Philosophy, Volume 34, Issue 2, Page 545-558, June 2026.Abstract What norms govern aesthetic conversations? In Hansen and Adams (2024), we argue for a norm we call, following Stanley Cavell, “the hope of agreement”, along with a requirement of “seriousness”, the “discipline of accounting for one's judgments”.
Nat Hansen, Zed Adams
wiley +1 more source
, 2018 Far from a simple backdrop, the lived environment was for Jean-Luc Godard capable of eliciting specific modes of cinematographic thought; choice of locations could impact the shape and feel of a film more than its screenplay. Prevalent in his works of the 1960s are suburban landscapes and locales, from the villas, cafés and roadways frequented by the ...
openaire +3 more sources
Naked, Deformed, Violated Body. A Montage in the Histoire(s) du cinema of Jean-Luc Godard
Scienza & Politica, 2013 The article analyses Histoire(s) du cinéma (1988-1998), a cinematic essay by Jean-Luc Godard, and in particular it focuses on the controversial montage in which the French director aligns extracts from a pornographic film, Tod Browning’s Freaks, and ...
Alberto Brodesco
doaj +1 more source
Personnel Psychology, Volume 79, Issue 2, Page 161-189, Summer 2026.ABSTRACT Strategic human resource management (HRM) scholars have extensively examined the impact of a high‐performance work system (HPWS) on firm performance outcomes and the conditions that influence this relationship. However, the factors that affect how intensively a firm uses an HPWS remain less understood.
Dishi Hu +5 more
wiley +1 more source
, 1880 Comprend : Au manoir ; Ballade ; La Mare aux fées ; Dans la cathédrale ; Brière ; Tentation ; Par la forêt ; Les Feux follets ; Les ElfesUne lettre de Magdeleine Godard donne les dates de compositionPrésentation musicale : [Partition d ...
Godard, Benjamin (1849-1895). Auteur du texte. Compositeur +1 more
core
Differential automatons: history telling as cinematographic heterogenesis in Histoire(s) du cinema by Jean-Luc Godard [PDF]
La Deleuziana, 2020 Histoire(s) du cinéma, Godard’s 90’s series on the history of cinema in the 20th century, has virtually infinite perceptions to be extracted from. Considering the specific editing effect of speed differentiation, which Godard uses to bring out hidden ...
Pablo Gonzalez Ramalho
doaj
"Symphonie en si ♭. Benjamin Godard. Op. 57" (manuscrit autographe)
, 1880 Daté d'après Riemann. - A la dernière p., sign. de l'auteur. - Au titre de départ, écrit à l'encre rouge "Partition offerte à la Bibliothèque de l'Opéra par Melle Godard, soeur du maitre Benjamin Godard.
Godard, Benjamin (1849-1895). Compositeur
core
, 2006 L'edizione online del romanzo epistolare di C. Godard D'Aucour rientra nel progetto di una ricerca scientifica d'interesse nazionale (PRIN 2002) dal titolo "Temi e modelli d'Oriente nelle letterature occidentali", diretta da Loretta Innocenti.
Martinuzzi, Paola +2 more
core
Alphaville: onde mora o processo criativo?
ManuscríticaA Nouvelle Vague é um dos movimentos cinematográficos mais influentes do século XX. Afastando-se do surrealismo, os filmes da Nouvelle Vague francesa procuraram abraçar temas socialmente relevantes.
Ricardo Oliveira Rocha, Marcelo Rubio
doaj +1 more source
Metafiction and intertextuality in Prénom: Carmen by Jean-Luc Godard [PDF]
452ºF, 2009 J. L. Godard appears as a character in "Prénom: Carmen" (1983), not only as a homage to himself and/or to the cinema, to genres, to texts, to actors, etc., but also to leave his mark on his version, that is, the adaptation of the well-known myth of the ...
Pujante Segura, Carmen
doaj