Results 41 to 50 of about 201 (115)

Gombrowicz a polski film fabularny

Przestrzenie Teorii, 2013
This article presents the influence that Witold Gombrowicz’s work has had on Polish cinema. It covers several generations of directors, for example, Andrzej Munk (born in the 1920s), Roman Polański and Jerzy Skolimowski (born in the 1930) as well as ...
Jacek Nowakowski
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Joseph Conrad y Witold Gombrowicz: dos escritores sin patria

Transfer, 2017
Joseph Conrad y Witold Gombrowicz son dos de los escritores más importantes del siglo XX. A pesar de las evidentes diferencias existentes entre sus obras, sus similitudes aumentan bajo el prisma del exilio voluntario.
Manel Bellmunt
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GOMBROWICZ: MIĘDZY LALKĄ A UKRYTYM DEMONEM [PDF]

The Polish Journal of Aesthetics, 2012
In this paper I shall present the analysis and interpretation of the performance of Iwona księżniczka Burgundaby Witold Gombrowicz. The play was staged in The Opole Theatre of Puppet and Actor.
Zbigniew Ambrożewicz
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Argentinian Dissident Masculinities as Queer Smmugled Dynamite in Witold Gombrowicz’s Trans-Atlántico

Anclajes, 2018
A queer reading of Witold Gombrowicz’s Trans-Atlantyk (1953), paying special attention to the novel’s most iconoclastic aspects for the Polish culture.
Łukasz Smuga
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The Strategy of “Controlled Reception” in Witold Lutosławski’s Commentaries on his own Works

Musicology Today, 2015
Witold Lutosławski’s commentaries on his own music are often defective in many regards. These defects could be explained as resulting from a strategy according to which the aim of a commentary is not to provide a truthful description of musical phenomena
Krajewski Marcin
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Le Beethoven de Gombrowicz

Revue des études slaves
The paper offers a preliminary reflection on Witold Gombrowicz’s relationship to music as articulated in his writings. Stressed by Millati, Gombrowicz’s particular interest in Beethoven – an interest he shares with Thomas Mann and some other major ...
Aleksandra Wojda
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Witold Gombrowicz w kalejdoskopie recepcji

Postscriptum Polonistyczne, 2020
Seen through the perspective of reception, the works of Witold Gombrowicz constitute a wide range of receptive proposals, selectively updated in the constant dynamic of the interactive discourse between the literary subject and the reader.
Dimitrina Hamze
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Gombrowicz y la irrelevancia de la forma

Recial, 2012
Gombrowicz enters the Argentine literary system in 1939 and is located on its banks when it is ordered around Sur gradually, the literary supplement of the Nation and what some critics like Martin Prieto designated the "empire malleísta".
Cristian Cardozo
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Pedagogía y fariseísmo: sobre la elevación y el rebajamiento en Gombrowicz

Educação & Sociedade, 2003
Este artículo se presenta como una aproximación entre pedagogía y fariseísmo. Para Jacotot-Rancière, la pedagogía produce al ignorante y a su inteligencia inferior. Por eso ni la teoría ni la práctica de la instrucción pueden soportar la tesis radical de
Larrosa Jorge
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Masculinidades disidentes argentinas como dinamita de contrabando queer en Trans-Atlántico de Witold Gombrowicz / Argentinian Dissident Masculinities as Queer Smmugled Dynamite in Witold Gombrowicz’s Trans-Atlántico

Anclajes, 2018
Lectura queer de la novela Trans-Atlántico (1953) de Witold Gombrowicz, con énfasis en sus aspectos más iconoclastas para la cultura polaca. Se analiza la construcción del personaje de Gonzalo, un homosexual bonaerense, cuya masculinidad no normativa ...
Łukasz Smuga
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