Results 11 to 20 of about 182 (150)
Revisiting the Galant in Gjerdingenian Schemata
Music Analysis, Volume 42, Issue 3, Page 287-330, October 2023., 2023 ABSTRACT Robert Gjerdingen's schema theory focuses the long‐debated ‘galant’ style concretely onto an inventory of stock musical phrases, or ‘galant schemata’. The rich historico‐cognitive discourse sparked by this growing ‘schematicon’ has provided significant theoretical evidence for their historical situatedness, coherence and objectivity; however ...
Hainian Yu
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Rhymed Officium about St. Catherine in the 12th-Century Płock Pontifical
Seminare, 2022 Pontificale Plocense from the 12th-century is one of the first Polish pontificals entirely preserved to this day. Among liturgical ceremonials, there is a rhymed officium about St. Catherine of Alexandria.
Piotr Wiśniewski
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USE OF THE GREGORIAN CHANT IN HEALTH: A NARRATIVE BIBLIOGRAPHICAL REVIEW
Cogitare Enfermagem, 2012 The objective of this study was to review the scientific literature with a view to identifying the publications about the Gregorian chant in the area of health. It is a bibliographical narrative review study with a quantitative approach.
Ana Paula Almeida +1 more
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Pro Musica Sacra, 2022 Official documents referring to laws and principles of music in the liturgy of the Roman Catholic Church in Roman Rite remind that the Church acknowledges primacy of Gregorian chant but also allows other forms of singing, especially polyphony.
Szymon Bajon
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Guillaume-Gabriel Nivers i jego chorał
Pro Musica Sacra, 2012 Guillaume-Gabriel Nivers (ca. 1632–1714), a composer and organist of the Parisian parish of Saint-Sulpice, regarded as one of the keenest advocators of the Gregorian chant in the 17th c. when heated debates on its subject were carried out by the Church.
Susi Ferfoglia
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Generation of Melodies for the Lost Chant of the Mozarabic Rite
Applied Sciences, 2019 Prior to the establishment of the Roman rite with its Gregorian chant, in the Iberian Peninsula and Southern France the Mozarabic rite, with its own tradition of chant, was dominant from the sixth until the eleventh century.
Darrell Conklin, Geert Maessen
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Pavlov’s Dog and the Liturgy: Listening and Recognition in Gregorian Chant
De Musica Disserenda, 2015 In medieval life, church music, especially Gregorian chant, serves to create many acoustic memories: daily events and various times and occasions. Examples of this music perception of time include church bells, the melodies of the Kyrie eleison, chanted ...
Karl Franz Prassl
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Eine liturgische Handschrift mit Tonar der Zagreber Diözese aus dem 17. Jahrhundert
De Musica Disserenda, 2015 The study deals with a thus far little considered compilation of rituals. It emerged in a corner of southern Hungary saved from the Ottoman occupation where no liturgical chant book sources from the Middle Ages survive.
Ágnes Papp
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Stylometry and Automatic Attribution of Medieval Liturgical Monodies
IJCoL, 2018 While automatic attribution of literary text as well as stylometry evaluation are nowadays well-established research areas, much less has been done in the field of musicology.
Francesco Unguendoli +2 more
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On the Manifold Meanings of Aesthetic Experience: Lonergan and Chrétien on Art
The Heythrop Journal, Volume 67, Issue 1, Page 33-52, January 2026.Abstract I argue that Jean‐Louis Chrétien’s account of beauty and Bernard Lonergan’s account of art and aesthetic experience complement one another and, when taken together, offer an illuminating philosophical account of the ontological, ethical, intellectual, and transcendent aspects of art and aesthetic experience.
Gregory P. Floyd
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