Results 31 to 40 of about 191 (147)
Impacts of Ramadan fasting during pregnancy on pregnancy and birth outcomes: An umbrella review
International Journal of Gynecology &Obstetrics, Volume 169, Issue 3, Page 968-978, June 2025.Abstract Background Despite a large number of primary research studies, and systematic and narrative reviews, there is no consensus on the impact of fasting during Ramadan while pregnant on pregnancy and birth outcomes. Currently, there is no evidence‐based guideline for Muslim women regarding Ramadan fasting during pregnancy and clinicians cannot ...
Abdullah Al‐Taiar +4 more
wiley +1 more source
Formulari processionali per il canto del vangelo Liber generationis
De Musica Disserenda, 2015 The singing of the Genealogy of Christ (Matt. 1,1–16) just after the end of Christmas first mass (missa in nocte) is sometimes associated with a processional chant (Hodie intacta, O mundi domina, and others).
Anna Vildera
doaj +1 more source
El canto popular entre política y religión: la visión de Mário de Andrade
Brasiliana: Journal for Brazilian Studies, 2015 Mário de Andrade identifies rhythm as the common structural underpinning between poetry and song. Rhythm is also the apple of discord between them, since it is with rhythm that we are able to note the fundamental distinction between the sung and the ...
Enea Zaramella
doaj +3 more sources
Lord Chesterfield and Elizabeth du Bouchet: New Light on an Eighteenth‐Century Liaison
Journal for Eighteenth-Century Studies, Volume 48, Issue 2, Page 105-118, June 2025.Abstract Almost no trace has survived of the life of Elizabeth du Bouchet after she moved from The Hague to London and gave birth to Philip Stanhope, the illegitimate son of Philip Dormer Stanhope, the 4th Earl of Chesterfield, in 1732. Thirty‐three unpublished letters in the archive of the Chevening Estate, now at the Kent History and Library Centre ...
Richard Wendorf
wiley +1 more source
Pro Musica SacraThe Regensburg University of Catholic Church Music and Music Education (HfKM), founded in 1874 as the Regensburg School of Church Music by Franz Xaver Haberl, is the world’s oldest Catholic institution for church music.
Christoph Hönerlage
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Gregorian Chant in Medieval Manuscripts in the Slovenian Lands
Muzikološki Zbornik, 2019 As an astute researcher of the musical heritage in medieval codices, the Slovenian musicologist Jurij Snoj condensed in one book his life’s work, which he pursued both professionally (as well as privately) at the Institute for Musicology of the Research ...
Ivan Florjanc
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Journal of the Royal Anthropological Institute, Volume 31, Issue S1, Page 73-90, April 2025.In the Ik mountains in Uganda, only few old people still have the skills to ‘see time’ with sundials. Common ways of knowing time and age now include phones and ID cards in digital registers. I follow the elder seer Komol to explore how changing the measures of time influences the experience of time and age. How do being a ‘time being’ and ideas about ‘
Lotte Meinert
wiley +1 more source
Universal Jurisdiction: Law out of Context
The Modern Law Review, Volume 87, Issue 6, Page 1480-1518, November 2024.Universal jurisdiction enables the prosecution of international crimes by domestic courts in the absence of any nexus between the prosecuting state and the crime charged. While the temptation is for domestic judges to proceed with ‘business as usual’ in the conduct of such trials, difficulties in the practice of universal jurisdiction reflect the ...
Devika Hovell, Mara Malagodi
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Enlightened Declarations: Ottoman and Russian Proclamations in the Ottoman‐Russian War of 1768–1774
Journal for Eighteenth-Century Studies, Volume 47, Issue 3, Page 259-278, September 2024.Abstract This article analyses the Ottoman and Russian proclamations during the Ottoman‐Russian War of 1768–1774 to understand their similarities and differences in discourse and their intended audiences, with a special focus on the elites of the Ottoman Empire.
Yusuf Ziya Karabıçak
wiley +1 more source
Music Analysis, Volume 43, Issue 2, Page 247-301, July 2024.ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley +1 more source