Results 11 to 20 of about 9,300 (195)
Liturgical function and Gregorian chant in the music of Paulus Bucenus
Musicologica Brunensia, 2016 Paulus Bucenus after studies in Greifswald and few years spent in Toruń moved to Riga where he was the school cantor till the end of his life in 1586. He composed almost exclusively sacred music.
Agnieszka Leszczyńska
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Foul Biting, or Diego Valadés and the Medium of Print
Art History, Volume 46, Issue 5, Page 866-895, November 2023., 2023 Published in 1579 in Perugia, Diego Valadés's Rhetorica christiana is best known today as the first illustrated publication to show evangelisation efforts in the Americas to audiences across the Atlantic. Yet too often the Rhetorica's status in the history of art is that of exotica, a book seen as rare and valuable due to its American subject matter ...
Stephanie Porras
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Teaching monastic masculinity with the Colloquy of Ælfric of Eynsham
Early Medieval Europe, Volume 31, Issue 4, Page 629-649, November 2023., 2023 I focus on the Colloquy of Ælfric of Eynsham to show how it contributed to gender formation by teaching boys not only Latin, but also what it meant to be a man of the monastery. I discuss how the professions the boys role‐played encouraged them to think of the monk as the most masculine option, and how verbal experimentation allowed their violent ...
Maroula Perisanidi
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Revisiting Gendered Representations of Humility: An Examination of Sources from Late Medieval Italy
Gender &History, Volume 35, Issue 3, Page 881-897, October 2023., 2023 Abstract During the Middle Ages, gender‐neutral representations of humility as a quality linked to spiritual love and voluntary service competed with representations according to gendered patterns, such as those related to the naked and dressed body in terms of its biological and social functions and its appearance.
Silvia Negri
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Revisiting the Galant in Gjerdingenian Schemata
Music Analysis, Volume 42, Issue 3, Page 287-330, October 2023., 2023 ABSTRACT Robert Gjerdingen's schema theory focuses the long‐debated ‘galant’ style concretely onto an inventory of stock musical phrases, or ‘galant schemata’. The rich historico‐cognitive discourse sparked by this growing ‘schematicon’ has provided significant theoretical evidence for their historical situatedness, coherence and objectivity; however ...
Hainian Yu
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Guillaume-Gabriel Nivers i jego chorał
Pro Musica Sacra, 2012 Guillaume-Gabriel Nivers (ca. 1632–1714), a composer and organist of the Parisian parish of Saint-Sulpice, regarded as one of the keenest advocators of the Gregorian chant in the 17th c. when heated debates on its subject were carried out by the Church.
Susi Ferfoglia
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Pro Musica Sacra, 2022 Official documents referring to laws and principles of music in the liturgy of the Roman Catholic Church in Roman Rite remind that the Church acknowledges primacy of Gregorian chant but also allows other forms of singing, especially polyphony.
Szymon Bajon
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Generation of Melodies for the Lost Chant of the Mozarabic Rite
Applied Sciences, 2019 Prior to the establishment of the Roman rite with its Gregorian chant, in the Iberian Peninsula and Southern France the Mozarabic rite, with its own tradition of chant, was dominant from the sixth until the eleventh century.
Darrell Conklin, Geert Maessen
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Theory into Practice. A Contemporary Artist Approaches a Repertoire from the XII Century
Pensamiento Palabra y Obra, 2018 When I became a student of the M A in Ritual Chant and Song at the Irish World Academy of Music and Dance (2015-2016) I did not have any previous formal music education or any academic Gregorian chant background.
Carmen Elvira Brigard
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Pavlov’s Dog and the Liturgy: Listening and Recognition in Gregorian Chant
De Musica Disserenda, 2015 In medieval life, church music, especially Gregorian chant, serves to create many acoustic memories: daily events and various times and occasions. Examples of this music perception of time include church bells, the melodies of the Kyrie eleison, chanted ...
Karl Franz Prassl
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