Results 31 to 40 of about 182 (150)
El canto popular entre política y religión: la visión de Mário de Andrade
Mário de Andrade identifies rhythm as the common structural underpinning between poetry and song. Rhythm is also the apple of discord between them, since it is with rhythm that we are able to note the fundamental distinction between the sung and the ...
Enea Zaramella
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Formulari processionali per il canto del vangelo Liber generationis
The singing of the Genealogy of Christ (Matt. 1,1–16) just after the end of Christmas first mass (missa in nocte) is sometimes associated with a processional chant (Hodie intacta, O mundi domina, and others).
Anna Vildera
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The 15-th century edition of the Pauline missal as a source for Gregorian chant history
There exist only few medieval codices containing musical notation for the Mass in the Pauline rite. The significant source for further research of the Pauline liturgical music is Missale Eremitarum S. Pauli printed by Johannes Amerbach about 1490.
Fryderyk Rozen
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Lord Chesterfield and Elizabeth du Bouchet: New Light on an Eighteenth‐Century Liaison
Abstract Almost no trace has survived of the life of Elizabeth du Bouchet after she moved from The Hague to London and gave birth to Philip Stanhope, the illegitimate son of Philip Dormer Stanhope, the 4th Earl of Chesterfield, in 1732. Thirty‐three unpublished letters in the archive of the Chevening Estate, now at the Kent History and Library Centre ...
Richard Wendorf
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In the Ik mountains in Uganda, only few old people still have the skills to ‘see time’ with sundials. Common ways of knowing time and age now include phones and ID cards in digital registers. I follow the elder seer Komol to explore how changing the measures of time influences the experience of time and age. How do being a ‘time being’ and ideas about ‘
Lotte Meinert
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The Regensburg University of Catholic Church Music and Music Education (HfKM), founded in 1874 as the Regensburg School of Church Music by Franz Xaver Haberl, is the world’s oldest Catholic institution for church music.
Christoph Hönerlage
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Universal Jurisdiction: Law out of Context
Universal jurisdiction enables the prosecution of international crimes by domestic courts in the absence of any nexus between the prosecuting state and the crime charged. While the temptation is for domestic judges to proceed with ‘business as usual’ in the conduct of such trials, difficulties in the practice of universal jurisdiction reflect the ...
Devika Hovell, Mara Malagodi
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Principles and Procedures of the Construction of Opera Scenarios
The construction of opera scenarios involves the development of a dramatic and narrative framework upon which an opera is built. These scenarios serve as the foundation for the libretto, music, staging, and overall production of the opera.
Mădălina Gabriela BOURCEANU
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Enlightened Declarations: Ottoman and Russian Proclamations in the Ottoman‐Russian War of 1768–1774
Abstract This article analyses the Ottoman and Russian proclamations during the Ottoman‐Russian War of 1768–1774 to understand their similarities and differences in discourse and their intended audiences, with a special focus on the elites of the Ottoman Empire.
Yusuf Ziya Karabıçak
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Melos of the Undivided Church. Notes on the Interchurch Researches of Early Music
New attention towards the ancient Church chant is especially on time in today’s Ukraine, where the renewed autocephalous Church is entering the global Christian community, looking back at its own historical and liturgical roots and trying to overcome the
Daria Morozova
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