Results 31 to 40 of about 19,064 (211)

No Art on a Dead Planet: Political Iconoclasm as Climate Activism

Journal of Applied Philosophy, EarlyView.
ABSTRACT A trend has recently emerged among climate activists of attacking artworks as a means of registering protest. I analyse this mode of protest, which I term political iconoclasm, and offer a novel partial defence of political iconoclasm as a protest strategy for environmental activists. I focus on Just Stop Oil's attack on van Gogh's Sunflowers.
Alice Madeleine Hilder Jarvis
wiley   +1 more source

Cultural Center, Guernica, Vizcaya (1981) [PDF]

, 1981
An enclosure to house Picasso’s “Guernica” was to be created in the town of the same name.
Campo Baeza, Alberto
core  

War as a Phenomenon of Inquiry in Management Studies

Journal of Management Studies, EarlyView.
Abstract We argue that war as a phenomenon deserves more focused attention in management. First, we highlight why war is an important and relevant area of inquiry for management scholars. We then integrate scattered conversations on war in management studies into a framework structured around three building blocks – (a) the nature of war from an ...
Fabrice Lumineau, Arne Keller
wiley   +1 more source

Conceptualización digital, archivo e Historia del arte: Repensar Guernica

Umática
Este artículo se enfoca en el proyecto digital Repensar Guernica (2017), un macro-site alojado en la web del Museo Nacional Centro de Arte Reina Sofía y concebido a propósito del ochenta aniversario de la presentación del Guernica de Pablo Picasso en el
Olga Sevillano
doaj   +1 more source

Resemblance As Repleteness: A Solution To Goodman’s Problem [PDF]

, 2006
In this paper I consider the view that Goodman altogether rejects the notion of resemblance in depiction. I argue that, although Goodman’s case seems to be a decisive challenge, he can in fact hold a positive view of resemblance if we weaken the standard
Barnes, Daniel
core  

On the Manifold Meanings of Aesthetic Experience: Lonergan and Chrétien on Art

The Heythrop Journal, Volume 67, Issue 1, Page 33-52, January 2026.
Abstract I argue that Jean‐Louis Chrétien’s account of beauty and Bernard Lonergan’s account of art and aesthetic experience complement one another and, when taken together, offer an illuminating philosophical account of the ontological, ethical, intellectual, and transcendent aspects of art and aesthetic experience.
Gregory P. Floyd
wiley   +1 more source

El “último exiliado” como metáfora de reconciliación nacional en la Transición española: Imágenes sinópticas de Guernica-Legado Picasso

Historia y Comunicación Social
A la luz de la interpretación iconográfica de las fotografías más representativas de la inauguración de la exposición Guernica-Legado Picasso, publicadas para mostrar las altas medidas de seguridad con las que se exhibió por vez primera en 1981 el ...
Rebeca Romero Escrivá
doaj   +1 more source

Sobre Nossa Capa

Licere, 2022
   Guernica  Pablo Picasso, 1937  Pintura a óleo, 350 × 776  Acervo de Museu Nacional Centro de Arte Reina Sofia  Reprodução disponível em: https://pt.wikipedia.org/wiki/Guernica_(quadro) 
Os Editores
doaj  

El Venablo de Guernica (Vizcaya)

Gladius, 1983
EL ejemplar que traemos a estas páginas supone hoy por hoy, y tras intensas investigaciones, una sorpresa, dada su sin igual tipología en los corpus tanto nacionales como extranjeros de esta parte del globo.
Carmelo Fernández Ibañez
doaj   +1 more source

Like Sand through the Hour Glass . . . [PDF]

, 2014
Postcard from Jory Gibson, during the Linfield College Year Abroad Program at the Universidad de Alicante ...
Gibson, Jory
core   +1 more source