Results 41 to 50 of about 310 (182)
Curator: The Museum Journal, Volume 67, Issue 2, Page 365-379, April 2024.Abstract Invented by journalists, the “Bilbao effect” label has no clear meaning, but it undoubtedly refers to outwardly radiating waves of influence beyond the Guggenheim Museum Bilbao. Its architecture and urban impact, with trickle down economic returns, has drawn international attention and many emulators.
J. Pedro Lorente
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Michele Cometa, Il Trionfo della morte di Palermo. Un’allegoria della modernità
Between, 2017 Quando, nel capitolo dedicato di Paura reverenza e terrore (Adelphi, 2015), Carlo Ginzburg afferma che «il successo di Guernica, che ha trasformato il quadro in un’icona, ne ha oscurato il significato» (164), lo storico muove dal contesto in cui il ...
Angela Di Fazio
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Civil Engineering Design, Volume 5, Issue 5-6, Page 67-94, January 2024.Abstract In civil engineering, carbon is typically regarded as a modern material to serve as reinforcement in concrete structures. Compared to steel reinforcement, it features two substantial benefits: It is not sensitive to corrosion, and has an enormously increased tensile strength.
Manfred Curbach +34 more
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Guernica : les presses basque et française face au bombardement
El Argonauta EspañolThis article analyses how the Basque and French presses reflected the bombardment of Guernica, thus releasing and amplifying the propaganda campaigns in favor of the Basque government.
Severiano Rojo Hernandez
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Guernica dans la conscience des écrivains francophones de Belgique
Thélème, 2003 Dès son déclenchement, la guerre d’Espagne commotionna la société belge. Les intellectuels se mobilisèrent rapidement, la plupart pour soutenir le gouvernement républicain, quelques-uns pour glorifier la rébellion franquiste.
André BÉNIT
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Clark, Timothy J.: Picasso and Truth: from Cubism to Guernica
Boletín de Arte, 2015 Picasso and Truth: from Cubism to Guernica es un libro que merece especial atención en el estudio de la obra de Picasso y de la pintura moderna. Escrito por Timothy James Clark, catedrático de historia del arte en la Universidad de Berkeley, California,
Carmen Martínez
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El mito de Guernica: proyección, propaganda, política
Historia del Presente, 2009 -
Stefanie Schüler-Springorum
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Arte, Individuo y SociedadEste artículo analiza la obra monumental del artista iraquí Dia Al-Azzawi, La Masacre de Sabra y Chatila (1982-83), que se inspira en el genocidio perpetrado en los campos de refugiados palestinos en Beirut en el año 1982.
Amaya Matesanz-Muñoz
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Guernica Semiotics… methods of Expression between Aesthetic and Semantic Composition
الاكاديمي, 2018 This semiotic analytical study has shown that there is a wide diversity in the aesthetic systems and the ranges of reception for the rhetoric and the discourse.
shayma wahib
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Art Education and Peace: Exploring the Empathetic Object‐ive
International Journal of Art &Design Education, Volume 44, Issue 4, Page 948-967, November 2025.
John Johnston +5 more
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