Results 31 to 40 of about 306 (181)
El Venablo de Guernica (Vizcaya)
Gladius, 1983 EL ejemplar que traemos a estas páginas supone hoy por hoy, y tras intensas investigaciones, una sorpresa, dada su sin igual tipología en los corpus tanto nacionales como extranjeros de esta parte del globo.
Carmelo Fernández Ibañez
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Journal of the Royal Anthropological Institute, Volume 31, Issue 4, Page 1079-1097, December 2025.Liberal public reason seeks to provide a neutral platform for political engagement. Yet, its conditions, notably the rules of engagement and the demand for consensus, effectively exclude many populations with non‐liberal subjectivities from public participation.
Erica Weiss
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Espacio, Tiempo y Forma. Serie V, Historia Contemporánea, 2016 En la Primavera de 1937 un pequeño grupo de oficiales-alumnos de Estado-Mayor del Exercito Portugués ha visitado los frente de combate de Madrid y del Norte, en el desarollo de guerra civil en España, por obséquio de los mandos de los “nacionales”. Este
João Carlos de Oliveira Moreira Freire
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Journal of Law and Society, Volume 52, Issue 4, Page 556-579, December 2025.Abstract Accountability mechanisms are often perceived as the Achilles’ heel of human rights practice. As classic human rights institutions rarely provide adequate guarantees of accountability, justice actors are increasingly turning to alternative spaces to advance accountability.
BRIGITTE HERREMANS, TINE DESTROOPER
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Análisis semiológico del Guernica de Picasso
Psicoespacios, 2009 La obra tal vez más famosa de Pablo Picasso, Guernica (1937), es examinada en este artículo con el método de la semiología. Para ello se contextualiza la obra, se pormenoriza en los detalles que la componen, tanto en el aspecto formal como en el de su ...
Sonia Natalia Cogollo Ospina
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La destrucción de Guernica. Periodismo, diplomacia, propaganda e historia
Comunicación, 2022 Herbert R.
Esperanza Sáez
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Nodes, Edges, and Artistic Wedges: A Survey on Network Visualization in Art History
Computer Graphics Forum, Volume 44, Issue 3, June 2025.Abstract Art history traditionally relies on qualitative methods. However, the increasing availability of digitized archives has opened new possibilities for research by integrating visual analytics. This survey presents a comprehensive review of the intersection between art history and visual analytics, focusing on network visualization and how it ...
Michaela Tuscher +4 more
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Something AI Should Tell You – The Case for Labelling Synthetic Content
Journal of Applied Philosophy, Volume 42, Issue 1, Page 272-286, February 2025.ABSTRACT Synthetic content, which has been produced by generative artificial intelligence, is beginning to spread through the public sphere. Increasingly, we find ourselves exposed to convincing ‘deepfakes’ and powerful chatbots in our online environments. How should we mitigate the emerging risks to individuals and society?
Sarah A. Fisher
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Carlos de Oliveira: até que a pintura fenda
Convergência Lusíada, 2019 No poema “Descrição da guerra em Guernica”, publicado no livro Entre duas memórias, o poeta português Carlos de Oliveira elabora em dez pequenas seções um exercício ekphrástico do quadro Guernica, de Pablo Picasso.
Marlon Augusto Barbosa
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La recepción del bombardeo de Guernica en la prensa francesa
apropos [Perspektiven auf die Romania]El bombardeo de Guernica, el 26 de abril de 1937, rápidamente encontró un eco internacional. De inmediato surgió la cuestión de la responsabilidad de este acto de guerra contra una población civil, desarmada e inocente.
Stève Bessac Vaure
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