Results 1 to 10 of about 116 (109)
Hans-Jörg Rheinberger as a Philosopher of Time. [PDF]
Ber Wiss, 2022 Abstract When Hans‐Jörg Rheinberger proposed the concept of epistemic things, he drew inspiration from the art historian George Kubler, who had considered the aesthetic object as resulting from problem‐solving processes in The Shape of Time (1962). Kubler also demonstrated that a sequence of objects could retrace the progress that led to a solution ...
Zimmermann MF.
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Manipulation and sexism in anarchism society: The case of Gustave Courbet
Iberian Journal of the History of Economic Thought, 2023 Este artículo pone en evidencia una de las derivas que una sociedad anarquista, defendida por algunos ecofeministas, puede tener: el sometimiento de las mujeres.
Estrella Trincado
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‘“We do not live apart”: John Berger and the Radical Politics of Rural Life’
Études Britanniques Contemporaines, 2023 Berger’s essays on the 19th-century artists Gustave Courbet, Jean-François Millet and Ferdinand Cheval and his discussion of primitivism, class, labour, materiality and landscape are put in dialogue with important 21st-century ecocritical texts.
Maura Coughlin
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Curator: The Museum Journal, Volume 66, Issue 3, Page 413-418, July 2023., 2023 Abstract Lion Attacking a Dromedary was a sensational object for its first viewers at the Paris Universal Exposition in 1867. As an entity or thing, it provoked a powerfully visceral response and, as the current essay explores, it remains a difficult object to view or display today.
Maura Coughlin
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Art History, Volume 46, Issue 1, Page 12-37, February 2023., 2023 The mutability and physical perfectibility of animal bodies was a scientific and aesthetic preoccupation in nineteenth‐century France, channelling anxieties about class, race and national identity into projects of breeding domestic animals. This essay explores how the animal painter Rosa Bonheur figured an imagined agricultural superabundance through ...
Stephanie Triplett
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Milano, 1881: Courbet e Carpeaux tra le “macchiette” di Navarro della Miraglia
ACME, 2022 Nel 1881, per i tipi dell’editore Brigola di Milano, vedeva la luce Macchiette parigine, un compendio di profili biografici che lo scrittore siciliano Emanuele Navarro della Miraglia (1838-1919) dedicava a eminenti personalità della cultura letteraria e
Davide Lacagnina
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The Scandal of M. Alphonse Legros
Art History, Volume 44, Issue 1, Page 78-107, February 2021., 2021 This essay asks why the art of Alphonse Legros (1837–1911) remained inconspicuous in the art history of the past generation, when the study of the nineteenth century played such a prominent role in the discipline. Legros's realist and politically committed practice is eminently suited to the art‐historical methods that dominated that period.
Elizabeth Prettejohn
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Trazar la falta: Lacan, la letra y El origen del mundo
Revista Humanidades, 2022 El presente artículo hilvana un recorrido creativo por la teoría del sujeto de la diferencia sexual de Jacques Lacan, desde un ángulo heterodoxo y polivalente, buscando afinar una propuesta crítica que facilite una alternativa concreta a la tesis ...
María del Carmen Molina Barea, Dra.
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Gustave Courbet, The Grain Sifters, 1855
Occupational Medicine, 2019 Paul J Nicholson, Nicholson Paul J
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Gustave Courbet, reporter ? [PDF]
Questions de communication, 2010 L’article examine la thèse selon laquelle le journalisme d’information se serait annoncé dans d’autres espaces, en particulier dans la peinture de Courbet, avant d’envahir la presse. Il repère chez le peintre cinq caractères qui peuvent aussi être mobilisés pour désigner l’invention du reportage : une licence civique (il ose dire), la présence de l ...
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