Results 11 to 20 of about 234,339 (151)
Hans-Jörg Rheinberger as a Philosopher of Time. [PDF]
Ber Wiss, 2022 Abstract When Hans‐Jörg Rheinberger proposed the concept of epistemic things, he drew inspiration from the art historian George Kubler, who had considered the aesthetic object as resulting from problem‐solving processes in The Shape of Time (1962). Kubler also demonstrated that a sequence of objects could retrace the progress that led to a solution ...
Zimmermann MF.
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Roberto Bolaño lecteur de Gustave Courbet. Figures de l’art engagé? [PDF]
Estudios Románicos, 2011 En su novela póstuma 2666, Roberto Bolaño se refiere al pintor francés Gus- tave Courbet como una figura representativa de una forma de arte comprometido, que recon- figuraría la idea misma de «compromiso». En este artículo exploramos la visión de Bolaño
Alberto Bejarano
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Curator: The Museum Journal, Volume 66, Issue 3, Page 413-418, July 2023., 2023 Abstract Lion Attacking a Dromedary was a sensational object for its first viewers at the Paris Universal Exposition in 1867. As an entity or thing, it provoked a powerfully visceral response and, as the current essay explores, it remains a difficult object to view or display today.
Maura Coughlin
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Art History, Volume 46, Issue 1, Page 12-37, February 2023., 2023 The mutability and physical perfectibility of animal bodies was a scientific and aesthetic preoccupation in nineteenth‐century France, channelling anxieties about class, race and national identity into projects of breeding domestic animals. This essay explores how the animal painter Rosa Bonheur figured an imagined agricultural superabundance through ...
Stephanie Triplett
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The Scandal of M. Alphonse Legros
Art History, Volume 44, Issue 1, Page 78-107, February 2021., 2021 This essay asks why the art of Alphonse Legros (1837–1911) remained inconspicuous in the art history of the past generation, when the study of the nineteenth century played such a prominent role in the discipline. Legros's realist and politically committed practice is eminently suited to the art‐historical methods that dominated that period.
Elizabeth Prettejohn
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O erotismo na arte acadêmica e moderna da América Latina
DAPesquisa, 2018 Dentro do arsenal imagético dos artistas latino-americanos selecionados nesta pesquisa, escolhi escrever sobre o erotismo na obra dos artistas Meyer Filho, Jarina Meneses, Prilidiano Pueyredón, María Izquierdo e Pedro Zonza Briano, incitando ...
Rosangela Miranda Cherem, Kamilla Nunes
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Acta Universitatis Carolinae Philologica, 2020 In her short stories, Karen Blixen often uses fine art as a model for describing characters or landscapes. When analyzing these references, researchers face a basic problem in many cases: how can one prove that the author meant a particular artefact when
Radka Stahr
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Locvs Amoenvs, 2012 Abrumados por el peso de los convencionalismos estilísticos, los historiadores del arte aceptamos los modelos teóricos sin cuestionarnos la validez universal de los mismos. Esta reflexión viene al hilo de un artículo que profundiza en el legado artístico
Francesc M. Quílez i Corella
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Courbet, Catlin, and the Exploitation of Native Americans
Transatlantica, 2019 This essay interrogates connections between Gustave Courbet’s The Painter’s Studio (1855; Musée d’Orsay) and the visual culture of American Indian performance in Paris.
Jane M. Roos
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, 2020 This oil painting by realist artist Gustave Courbet depicts a mountain landscape with a waterfall.https://digitalcommons.unf.edu/campus_art/1084/thumbnail ...
Courbet, Gustave
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