Results 101 to 110 of about 309,521 (157)
Increased c-MYC Expression Associated with Active IGH Locus Rearrangement: An Emerging Role for c-MYC in Chronic Lymphocytic Leukemia. [PDF]
Guiyedi K +8 more
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AI as a Helper: Leveraging Generative AI Tools Across Common Parts of the Creative Process. [PDF]
Chompunuch S, Lubart T.
europepmc +1 more source
Single-cell SNP-DNA sequencing precisely maps genotoxic events in CRISPR-edited primary cells
Moreau-Gaudry F +14 more
europepmc +1 more source
Gustave Moreau : illustrateur d'Homère
Le peintre français Gustave Moreau (1826-1898) avait reçu une formation classique. Il possédait des traductions françaises d'Homère, ainsi que des livres illustrés dont le recueil de gravures de van Thulden (1640) d'après la galerie d'Ulysse du château de Fontainebleau, toujours conservés dans le musée qu'il légua à l'Etat, 14 rue de La Rochefoucauld ...
Lacambre, Geneviève
exaly +4 more sources
Some of the next articles are maybe not open access.
Art Journal, 1962
The purpose of this essay is neither to praise nor to bury Gustave Moreau the artist. It is rather to call attention to another side of the man now almost as neglected as his creative effort: he was the beloved teacher of great artists. While the biographers of painters like Matisse and Rouault necessarily mention that they studied under Moreau, it is ...
Frank Anderson Trapp
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The purpose of this essay is neither to praise nor to bury Gustave Moreau the artist. It is rather to call attention to another side of the man now almost as neglected as his creative effort: he was the beloved teacher of great artists. While the biographers of painters like Matisse and Rouault necessarily mention that they studied under Moreau, it is ...
Frank Anderson Trapp
exaly +4 more sources
Bulletin de la Classe des Beaux-Arts, 1983
Ransy Jean. Gustave Moreau. In: Bulletin de la Classe des Beaux-Arts, tome 65, 1983. pp. 249-263.
exaly +3 more sources
Ransy Jean. Gustave Moreau. In: Bulletin de la Classe des Beaux-Arts, tome 65, 1983. pp. 249-263.
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Gustave Moreau and the Reinvention of History Painting
Art Bulletin, 2008Although Gustave Moreau remains associated with Decadence or Symbolism, in reality he was, above all, an innovative history painter. The analysis of Salon paintings from 1860 to 1869, together with their critical reception, shows how Moreau reinvented history painting. Rejecting the theatrical paradigm, he cultivated “contemplative immobility”: instead
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Cahiers du Musée des beaux-arts de Lyon, 2003
Forest Marie-Cécile. Gustave Moreau et l'ornement. In: Cahiers du Musée des beaux-arts de Lyon, Hors série 2003. Mélanges en hommage à Dominique Brachlianoff. pp. 94-99.
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Forest Marie-Cécile. Gustave Moreau et l'ornement. In: Cahiers du Musée des beaux-arts de Lyon, Hors série 2003. Mélanges en hommage à Dominique Brachlianoff. pp. 94-99.
exaly +3 more sources

