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"Gustave Moreau" in Baden-Baden
2022Kunstchronik. Monatsschrift für Kunstwissenschaft, Bd. 17 Nr. 10 (1964): Kunstchronik.
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The Gustave Moreau Museum: Exhibiting Individuality
2023This thesis analyzes the Musée national Gustave Moreau, a museum located in the artist’s (1826-1898) former home/studio on 14 rue de la Rochefoucauld in Paris’s 9th arrondissement. This formerly private space has become a public museum displaying both Moreau’s art— thousands of oil paintings, watercolors, drawings, and sculptures—and personal, everyday
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Gustave Moreau’s Salome and Death of Adonis
Paragone Past and PresentAbstract This article aims to shed new light on Gustave Moreau’s artistic thought by assessing two drawings: a Salome variant and The Death of Adonis, both chosen because of how their unique iconographies bring to light—and to life—the opposition not only between gazes and genders but also between artist and artwork, divinity and sin, seer and seen,
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Mythological themes in painting of Gustave Moreau
2021Mythological representations of Gustave Moreau were based on a wide knowledge and a great respect of ancient times, identified by the artist as the starting point of the European culture and art, and from which he drew the inspiration. However, he went a step further, interpreting the myth with regard to his time and symbolism in painting, and ...
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‘It isn't a Dance’: Gustave Moreau's Salome and The Apparition
Dance Research, 2011At the Salon of 1876, at a time when the subject of Salome was becoming fashionable, Gustave Moreau exhibited an oil painting, Salome (Fig. 1), and a large watercolour, The Apparition (Fig. 2), whose stylistic and iconographical originality astonished and fascinated the critics.
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