Results 131 to 140 of about 7,428 (175)

Gustave Moreau and the Reinvention of History Painting

Art Bulletin, 2008
Although Gustave Moreau remains associated with Decadence or Symbolism, in reality he was, above all, an innovative history painter. The analysis of Salon paintings from 1860 to 1869, together with their critical reception, shows how Moreau reinvented history painting. Rejecting the theatrical paradigm, he cultivated “contemplative immobility”: instead
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Gustave Moreau

Metropolitan Museum of Art Bulletin, 1922
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Gustave Moreau (1889)

1994
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Moreau, Gustave

2011
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Gustave Moreau, Prometheus and Jesus Christ

2017
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Ecrits sur l'art par Gustave Moreau (review)

Nineteenth-Century French Studies, 2004
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"Gustave Moreau" in Baden-Baden

2022
Kunstchronik. Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege, Bd. 17 Nr. 10 (1964): Kunstchronik.
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Gustave Moreau : illustrateur d'Homère

Gaia : revue interdisciplinaire sur la Grèce Archaïque, 2003
Le peintre français Gustave Moreau (1826-1898) avait reçu une formation classique. Il possédait des traductions françaises d'Homère, ainsi que des livres illustrés dont le recueil de gravures de van Thulden (1640) d'après la galerie d'Ulysse du château de Fontainebleau, toujours conservés dans le musée qu'il légua à l'Etat, 14 rue de La Rochefoucauld ...
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The Gustave Moreau Museum: Exhibiting Individuality

2023
This thesis analyzes the Musée national Gustave Moreau, a museum located in the artist’s (1826-1898) former home/studio on 14 rue de la Rochefoucauld in Paris’s 9th arrondissement. This formerly private space has become a public museum displaying both Moreau’s art— thousands of oil paintings, watercolors, drawings, and sculptures—and personal, everyday
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Mythological themes in painting of Gustave Moreau

2021
Mythological representations of Gustave Moreau were based on a wide knowledge and a great respect of ancient times, identified by the artist as the starting point of the European culture and art, and from which he drew the inspiration. However, he went a step further, interpreting the myth with regard to his time and symbolism in painting, and ...
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