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Gustave Moreau’s Salome and Death of Adonis
Paragone Past and PresentAbstract This article aims to shed new light on Gustave Moreau’s artistic thought by assessing two drawings: a Salome variant and The Death of Adonis, both chosen because of how their unique iconographies bring to light—and to life—the opposition not only between gazes and genders but also between artist and artwork, divinity and sin, seer and seen,
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Portrait de femme : Gustave Moreau et Gustav-Adolf Mossa
1999Sous la direction de Christine Bard ; International ...
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Robert de Montesquiou et Gustave Moreau
Nottingham French Studies, 1976Joy Newton, Monique Fol
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Gustave Moreau: Between Epic and Dream
The Art Bulletin, 2000Laura Morowitz, Genevieve Lacambre
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