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Gustave Moreau’s Salome and Death of Adonis

Paragone Past and Present
Abstract This article aims to shed new light on Gustave Moreau’s artistic thought by assessing two drawings: a Salome variant and The Death of Adonis, both chosen because of how their unique iconographies bring to light—and to life—the opposition not only between gazes and genders but also between artist and artwork, divinity and sin, seer and seen,
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Comparative Effectiveness of Intravesical BCG-Tice and BCG-Moreau in Patients With Non–muscle-invasive Bladder Cancer

Clinical Genitourinary Cancer, 2020
David D'Andrea   +2 more
exaly  

Portrait de femme : Gustave Moreau et Gustav-Adolf Mossa

1999
Sous la direction de Christine Bard ; International ...
openaire   +1 more source

Gustave Moreau

The Metropolitan Museum of Art Bulletin, 1922
openaire   +1 more source

How individual Montagu's Harriers cope with Moreau's Paradox during the Sahelian winter

Journal of Animal Ecology, 2016
Raymond H G Klaassen   +2 more
exaly  

Moreau, Gustave

2003
openaire   +1 more source

An adaptive finite-element Moreau–Yosida-based solver for a non-smooth Cahn–Hilliard problem

Optimization Methods and Software, 2011
Michael Hintermüller, Michael Hinze
exaly  

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