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Gender, Work &Organization, Volume 31, Issue 5, Page 2204-2213, September 2024.Abstract This paper is an edited version of a conversation between Silvia Gherardi and Lynne Baxter at the Inaugural Distinguished Speaker Event of the Gender, Materialities, and Activism Network. We learn about the development of Professor Gherardi's interest in feminism, how it evolves and informs her wider work on organization studies and ...
Silvia Gherardi, Lynne F. Baxter
wiley +1 more source
'And a sword will pierce your soul also’: reflections on the holy mother and the holy child [PDF]
, 2016 This article explores themes of maternal purification and the separation of mother and child through close attention to the presentation narratives in Luke 2.
Walton, Heather
core
Medusas tusind tunger: Cixous, écriture féminine og kvinden uden mangel
Norsk Litteraturvitenskapelig TidsskriftHélène Cixous’ berømte essay ”Medusas latter” (1975) er på én gang en vidunderligt nydelsesfuld opfordring til at skrive og en markant teoretisk intervention, der siden sin udgivelse har banet vejen for en affirmativ tænkning af køn, skrift og ...
Anna Cornelia Ploug
doaj +1 more source
Le cru de l’écrit ou les archives de la sauvagerie
Flaubert: Revue Critique et Génétique, 2013 Hélène Cixous has a passion for manuscripts. In two interviews she told us of the importance of writing by hand, on a table. In this article I will try to understand the principles of her practice as a writer and her thoughts about writing by studying ...
Alice Delmotte-Halter
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Dis/Eruption: Hélène Cixous’s Écriture Féminine and the rhetoric of material idealism
Feminismo/s, 2006 Este artículo analiza la noción de écriture féminine de Hélène Cixous en relación con sus textos: «La risa de Medusa», Inside, The Book of Promethea, and Portrait of Dora.
Amy S. Crawford
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Woman’s Writing/Female Writing in Maria Teresa Horta’s Poetry.
Revista Estudos Feministas, 2018 In the search for women’s writings that talked about the female body, we found Maria Teresa Horta’s poetry. In her poems, the lyrical-I gives voice to a feminine body so as to untie it from the patriarchal domain. Therefore, there is a feminine voice and
Natália Salomé de Souza +1 more
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