Results 41 to 50 of about 24,912 (232)

Haunting History: Women, Catholicism, and the Writing of National History in Sophia Lee's 'The Recess' [PDF]

open access: yes, 2014
This chapter explores strategies of re-writing British history in The Recess, with particular attention to the ways in which hagiography and historiography shape responses to the nation’s past.
Kramer, Kaley
core   +1 more source

Saint Menas in Medieval Georgia

open access: yesVox Patrum
Despite the survival of St Menas’s hagiography in various Georgian iterations and his commemoration in practically all Georgian calendars and martyrologies – both pre- Constantinopolitan and Byzantine – the cult of St Menas was weak in Georgia.
Nikoloz Aleksidze
doaj   +1 more source

Between Hagiography and Insanity: Refracting Political Violence in William Trevor’s Elegiac Fiction [PDF]

open access: yesEstudios Irlandeses, 2019
This article explores William Trevor’s depiction of hagiography and insanity in a body of novels and short stories portraying the violent intrusions of history in the lives of ordinary individuals. It is contended that at the core of Trevor’s fiction lie
Angelo Monaco
doaj  

Problems of Studying Russian Hagiography

open access: yesСлово.ру: балтийский акцент, 2017
This article outlines the major problems of studying Russian hagiography. The author responds to the challenge of performing a comprehensive analysis of a hagiographic text, while preserving the unity of the content and the form.
Dorofeeva L. G.
doaj   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

Means of Expressing Moral Ideal in Language of Hagiographic Texts about Russian Hierarchs of Synodal Period

open access: yesНаучный диалог, 2018
The article deals with the question of the meaning-forming role of verbal units as one of the means of expressing the moral ideal in the Russian original hagiography of the 19th-20th centuries.
N. A. Starodubtseva
doaj   +1 more source

Four Dimensions of Presidential Leadership: Rethinking Nelson Mandela's Presidency

open access: yesPresidential Studies Quarterly, Volume 56, Issue 1, March 2026.
ABSTRACT This article applies a four‐dimensional analytical framework to re‐evaluate Nelson Mandela's presidency (1994–1999). The framework distinguishes tensions and synergies across four key domains of leadership: executive and symbolic, party and state, international and domestic, and formal versus informal.
Anthony Butler
wiley   +1 more source

Journal of African Christian Biography: v. 1, no. 1 [PDF]

open access: yes, 2016
A publication of the Dictionary of African Christian Biography with U.S. offices located at the Center for Global Christianity and Mission at Boston University. This issue focuses on: 1.
Belcher, Wendy Laura   +2 more
core  

Hagiographie et théorie mimétique

open access: yesCarnets, 2018
The Martyrs of Lyons and Vienne, preserved in Eusebius’ Ecclesiastical History, book V, describes one of the cruelest persecutions to be executed against the early Church.
Julia Sei
doaj   +1 more source

Utilizing traditional literature to triangulate the ecological history of a tropical savanna

open access: yesPeople and Nature, Volume 8, Issue 1, Page 81-98, January 2026.
Abstract The ecological history of tropical savannas remains a subject of intense debate and of high conservation relevance. Despite emerging evidence suggesting the antiquity of tropical savannas, the misconception that all tropical savannas are products of anthropogenic deforestation still dominates public and policy spheres.
Ashish N. Nerlekar, Digvijay Patil
wiley   +1 more source

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