Results 81 to 90 of about 256,373 (229)

NIKOLA KRALJlĆ'S CHAKAVIAN HAIKU: THE POETIC MODELS

open access: yesFluminensia: Journal for Philological Research, 1996
Relying upon the quoted interpretations of Kraljić's lyrics, as well as on the integrity of the (post)modern theory of poetic discourse, but also having in mind various particularities/"inner patterns" of haiku poetry, the intention of this study is to ...
Robert Bebek
doaj  

“Important for you to be there”: Employee activism and the dialectics of researcher–practitioner collaborations

open access: yesHuman Resource Management Journal, Volume 34, Issue 2, Page 480-503, April 2024.
Abstract The current study examines researcher–practitioner collaborations in the context of employee activism, a context in which the role of reflexivity and theorisation relate in unique ways. Specifically, we examine the collaboration between researchers and a practitioner sustainability manager, in the context of an ongoing organisational ...
Manuel F. Ramirez, Gazi Islam
wiley   +1 more source

Poetic encounters in field work

open access: yesGender, Work &Organization, Volume 31, Issue 1, Page 305-318, January 2024.
Abstract In this paper, we seek to belong to the “writing differently” turn in organization studies. We argue that writing poetry when doing field work is a way of disrupting and unsettling the objective scientific gaze, the scientific ideal of experiencing the world, and of opening for the Buberian world—the world as an encounter in itself.
Tommy Jensen, Yashar Mahmud
wiley   +1 more source

Surimono and Broadsheets : Graphic art with poems in Japan and America [PDF]

open access: yes, 2005
The printing of poetry on single sheets of paper has a long history in Europe and in Japan. This paper will focus on the illustrated haiku surimono tradition in Japan, and a possible connection with the appearance of illustrated broadsheet poems during ...
Johnson Scott
core   +1 more source

Lexical Pragmatics and the nature of word meaning [PDF]

open access: yes, 2013
Estudio de los procesos de ajuste léxico de extensión y especificación aplicados al significado de las palabras, examinando los usos que los hablantes hacen de las mismas que abarcan un continuo desde los más literales a los más metafóricos.Este artículo
Eizaga Rebollar, Bárbara
core  

Entering an ambiguous space: Evoking polyvocality in educational research through collective poetic inquiry

open access: yesPerspectives in Education, 2014
We explore how the participatory, literary arts-based methodology of collective poetic inquiry can facilitate awareness of, and insight into polyvocality in educational research.
Kathleen Pithouse-Morgan   +5 more
doaj   +3 more sources

Phonological Complexity in the Japanese Short Poetry: Coexistence Between Nearest-Neighbor Correlations and Far-Reaching Anticorrelations

open access: yesFrontiers in Physics, 2018
Sound correlations among six sites on the Japanese short poetry are analyzed in detail. For haiku composed of 5-7-5 syllables, the six sites are occupied by the head vowels on the three phrases as well as by the end sounds (in addition to five vowels, a ...
Kazuya Hayata
doaj   +1 more source

Plentiness Out Of Littleness

open access: yesFrench Journal for Media Research, 2016
Le Haiku est un genre poétique japonais qui a exercé une influence sur la culture occidentale moderne en raison de son “abondance” conceptuelle attrayante produite par sa “frugalité”.
Savina Zoe
doaj  

Pemaknaan Dari Simbol-simbol Alam Dalam Haiku Karya Matsuo Basho Dan Shi Karya Kanai Choku (Sebuah Kajian Semiotika) [PDF]

open access: yes, 2016
Poetry is a literary work that has existed since long time ago. There are many types of poetry in Japanese Literature, namely, tanka, haiku, shi, kashi, and another. In this thesis, the type of Japanese poem, haiku and shi have similarity.
Dyah, S. (Suci)   +2 more
core  

The haiku genre in Chuvash poetry

open access: yesPhilology. Theory & Practice
The research aims to identify the national characteristics of the haiku genre in Chuvash poetry based on a study of the works of P. Eyzin, S. Azamat, A. Sosaeva, and N. Mordyakov. The article examines the poetic, genre, and figurative features of the three-line verses of Chuvash authors that correspond to the traditions of Japanese haiku.
Irina Vladimirovna Sofronova   +2 more
openaire   +1 more source

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