Results 21 to 30 of about 6,647 (232)

Pocałunek śmierci. Przestrzeń pozakadrowa w filmach Michaela Haneke, Aleksandra Sokurowa i Andrzeja Wajdy

Kwartalnik Filmowy, 2014
Autorka skupia się w tekście na zagadnieniu przestrzeni pozakadrowej jako odrębnej kategorii estetycznej, która pełni różne funkcje w filmach Michaela Haneke, Andrzeja Wajdy i Aleksandra Sokurowa.
Janina Falkowska
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A Thank You Note to Our Reviewers [PDF]

J Gen Fam Med
Journal of General and Family Medicine, Volume 26, Issue 6, Page 676-679, November 2025.
europepmc   +2 more sources

Cutting through the fourth wall: the violence of home invasion in Michael Haneke’s Funny Games [PDF]

, 2017
The home is central to the Western imaginary. It is of foundational importance to the shaping of identity. It is where we begin to construct the story of our selves and where we first learn to navigate space.
Fiddler, Michael
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Michael Haneke. Nostalgia de redención en su “trilogía de la glaciación” [PDF]

Doxa Comunicación, 2015
Michael Haneke es considerado como uno de los cineastas europeos más críticos con el desenlace de la sociedad capitalista. En sus tres primeras películas, conocidas como La trilogía de la glaciación, sienta las bases ideológicas de su posterior ...
Juan Orellana Gutiérrez de Terán
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Downcast Eyes

Nordicom Review, 2008
In Austrian director Michael Haneke’s Caché (2005), the specter of the culturally repressed returns in the form of mute, unrelenting images that seem to demand something of the protagonists in the film. This article argues that Caché, in its troubled but
Grønstad Asbjørn
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Vizualinės prievartos ir „taikomojo aristotelizmo“ kritika M. Haneke’s filme „Smagūs žaidimėliai“

Problemos, 2015
Straipsnyje analizuojama vizualinės prievartos tema kine ir konkretus vizualinės prievartos atvejis Michaelio Haneke’s „Smagiuose žaidimėliuose“. Serijiniai šiuolaikinės vizualinės kultūros produktai konstruojami pagal „taikomojo aristotelizmo“ taisykles.
Nerijus Milerius
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The Hidden Gaze of the Other in Michael Haneke’s Hidden

Text Matters, 2011
In his 2005 French production Hidden (Caché), Michael Haneke continues disturbing his audience with poignant and stirring images. When Georges and Anne Laurent keep finding on their doorstep videotapes showing the exterior of their house filmed with a ...
Tomasz Dobrogoszcz
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EXPERIENCE “HUMAN DEATH” IN THE EVIDENCE OF THE EUROPEAN CINEMA (M. HANEKE)

Вісник Харківського національного університету імені В.Н. Каразіна. Серія Філософія, філософські перипетії, 2019
The purpose of the article is the deployment of the philosophem of “death of man” in the films by M. Haneke. Such a statement of the problem is due to the understanding of art as the ground of philosophy that was to a certain extent already proclaimed by
Vira V. Limonchenko
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The Staged Realism of Michael Haneke’s Caché [PDF]

, 2009
Michael Haneke’s style can best be described as staged realism, a cinematographic approach of presenting diegetic events as overtly staged and modelled in order to connect them to real social issues.
Niessen, Niels
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Controversies in the Treatment of Ingrown Nails

Dermatology Research and Practice, 2012
Ingrown toenails are one of the most frequent nail disorders of young persons. They may negatively influence daily activities, cause discomfort and pain. Since more than 1000 years, many different treatments have been proposed.
Eckart Haneke
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