Results 41 to 50 of about 632 (181)

Rodrigo García: De la miel a la ceniza

Revista de Filología y Lingüística de la Universidad de Costa Rica, 2018
El volumen que recoge casi en su totalidad la obra escrita entre 1986 y 2009 por el dramaturgo Rodrigo García lleva por título Cenizas escogidas (2009) y en buena parte de su teatro la comida aparece como un elemento central, tanto a nivel textual como ...
Julio Checa Puerta
doaj   +1 more source

Does splitting the nitrogen rate for corn (Zea mays) reduce the carbon dioxide equivalence?

Agronomy Journal, Volume 117, Issue 1, January/February 2025.
Abstract Splitting N fertilizer application between the corn (Zea mays) plants pre‐emergence and vegetative growth stage has the potential to reduce N losses while increasing N use efficiency. However, there are few published reports that show that splitting fertilizer reduces greenhouse gas emissions.
Skye Brugler, David E. Clay, Deepak Joshi, Donna M. Rizzo, Sharon A. Clay, Thandi Nleya, Gary Hatfield   +6 more
wiley   +1 more source

Dramma didattico, teatro post-drammatico e questione della rappresentazione

CoSMO, 2013
The article shows how Brecht (with Fatzer) has somehow gone beyond “himself”, and beyond what could be politically argued. As priority is given to representation and not to education, the play accomplishes itself only at the moment of its reduplication ...
Hans Thies Lehmann
doaj   +1 more source

Intrinsic and environmental drivers of pairwise cohesion in wild Canis social groups

Ecology, Volume 106, Issue 1, January 2025.
Abstract Animals within social groups respond to costs and benefits of sociality by adjusting the proportion of time they spend in close proximity to other individuals in the group (cohesion). Variation in cohesion between individuals, in turn, shapes important group‐level processes such as subgroup formation and fission–fusion dynamics.
John F. Benson, David A. Keiter, Peter J. Mahoney, Benjamin L. Allen, Lee Allen, Francisco Álvares, Morgan L. Anderson, Shannon M. Barber‐Meyer, Adi Barocas, James C. Beasley, Linda Behrendorff, Jerrold L. Belant, Dean E. Beyer Jr, Luigi Boitani, Bridget L. Borg, Stan Boutin, Erin E. Boydston, Justin L. Brown, Joseph K. Bump, Jonathon D. Cepek, Michael J. Chamberlain, Yvette M. Chenaux‐Ibrahim, Seth G. Cherry, Duško Ćirović, Paolo Ciucci, H. Dean Cluff, Susan M. Cooper, Kevin R. Crooks, Daniel L. J. Dupont, Robert N. Fisher, Daniel Fortin, Thomas D. Gable, Emilio García, Eli Geffen, Stanley D. Gehrt, Michael Gillingham, Douglas C. Heard, Mark Hebblewhite, Joseph W. Hinton, Austin T. Homkes, Chris G. Howden, Djuro Huber, Pat J. Jackson, Kyle Joly, Allicia Kelly, Marcella J. Kelly, Katrien A. Kingdon, Abhijeet Kulkarni, Josip Kusak, Gerald W. Kuzyk, Bryce C. Lake, Luis Llaneza, José Vicente López‐Bao, Daniel R. MacNulty, Ashley A. D. McLaren, Philip D. McLoughlin, Evelyn H. Merrill, Kenneth J. Mills, Numi Mitchell, Seth A. Moore, Matthew A. Mumma, Maureen H. Murray, Marco Musiani, Mónia Nakamura, Eric W. Neilson, Lalenia M. Neufeld, Thomas M. Newsome, John K. Oakleaf, Vicente Palacios, Marlo M. Perdicas, Thomas Perry, Tyler R. Petroelje, Cyrenea B. Piper, Christina M. Prokopenko, Laura R. Prugh, Seth P. D. Riley, Helena Rio‐Maior, Gretchen H. Roffler, Dale Rollins, Håkan Sand, Fiona K. A. Schmiegelow, Dale R. Seip, Mathew S. Sorum, Colleen C. St. Clair, Robin Steenweg, Michael W. Strohbach, Jack Tatler, Maria Thaker, Connor A. Thompson, Julie W. Turner, Abi T. Vanak, Eric Vander Wal, Petter Wabakken, Scott E. Walter, Sarah C. Webster, Tyler J. Wheeldon, Camilla Wikenros, Steve K. Windels, Julie K. Young, Sana Zabihi‐Seissan, Barbara Zimmermann, Brent R. Patterson   +101 more
wiley   +1 more source

Intimate Rites and Ethical Proposals in Vivi Tellas’s Project Museums

Revista Brasileira de Estudos da Presença, 2013
Vivi Tellas’s Project Museums (1994-2000) invites us to examine the theatricality inherent in museums and, simultaneously, the ways in which theatre draws on functional and aesthetic elements from museums.
Brenda Werth
doaj   +2 more sources

Mechanistic and therapeutic role of NLRP3 inflammasome in the pathogenesis of Alzheimer's disease

Journal of Neurochemistry, Volume 168, Issue 10, Page 3574-3598, October 2024.
Alzheimer's disease (AD) is the most common form of dementia in the elderly and characterised by the accumulation of inflammatory molecules in the brain. Activation of NLRP3 inflammasome within the brain contributes towards inflammation and AD‐related cognitive dysfunction.
Dhanshree Jha, Erik N. T. P. Bakker, Rahul Kumar   +2 more
wiley   +1 more source

Random Votes to Parties and Policies in Coalition Governments

Econometrica, Volume 92, Issue 5, Page 1553-1588, September 2024.
We exploit a natural experiment involving a randomization of votes across parties within coalitions in all local elections in Italy for over a decade. A lottery on the position of party symbols in the ballot papers allows estimating the causal effect of increasing votes to parties for coalition policies.
Matteo Cervellati, Giorgio Gulino, Paolo Roberti   +2 more
wiley   +1 more source

Postdramatic Theatre and Postdramatic Performance

, 2022
Beginning with the concept of a postdramatic theatre as articulated by the German theorist Hans-Thies Lehmann, this essay considers the recent work of several major international directors – Ivo van Hove, Punchdrunk, Signa and others – as examples of ...
Carlson (The City University of New York – New York, United States of America), Marvin
core  

Between Postdramatic Text and Dramatic Drama: Recent German-Language Playwriting by Lukas Bärfuss and Katja Brunner

Humanities, 2020
Since 2000 there has been a boom in playwriting in the German-speaking world. This is shaped by a creative tension between two forms of theatre-texts. On the one hand the postdramatic text that exists in a theatre marked by a parataxis of all theatrical ...
Richard McClelland
doaj   +1 more source

Teatro como campo expandido: a imagem em Gilles Deleuze e Hans-Thies Lehmann.

ARJ – Art Research Journal / Revista de Pesquisa em Artes, 2016
Este texto caracteriza o “teatro da dramaturgia visual”, de Hans-Thies Lehmann, ou teatro como campo expandido, pela incorporação de diversas mídias. Recorremos à crítica de Gilles Deleuze aos “ardis da representação” e à “diferença ontológica entre modelo e cópia”, ressaltando que esse teatro se opõe à imagem-representação do teatro dramático e do ...
openaire   +2 more sources