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Back to Verbal Theatre: Post-Post-Dramatic Theatres from Crimp to Crouch
Études Britanniques Contemporaines, 2013 The beginning of the 21st century is marked by a revival of verbal theatre: a theatre ‘In-Yer-Ear’ rather than In-Yer-Face. In recent plays by Dennis Kelly, Simon Stevens or debbie tucker green, nothing actually takes place but language, yet this verbal ...
Élisabeth Angel-Perez
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Contemporary Drama and the Question of the Neo-avant-garde Legacy of the 1960s and 1970s [PDF]
Amfiteater, 2023 To some extent, contemporary drama is the heir of the neo-avant-garde of the late 1960s and 1970s. This time was that of the so-called performative turn, which pulled theatre away from representation and towards presentation.
Gašper Troha
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The World of Odour in the Slovenian Performing Arts [PDF]
Amfiteater, 2021 The article provides an overview of performances on Slovenian stages that have used odour to stimulate the audience’s senses and arouse transformational effects.
Barbara Orel
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Nażywość czy nowa nażywość. Obecność a niecielesność we współczesnym teatrze
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura, 2021 In the article I summarize ways of defining theatre and media. I present the diversity in defining and setting the boundaries of the theatre. I briefly discuss the development of media and new technologies.
Judyta Pogonowicz
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How Can We Interpret the 21st-Century (No Longer) Dramatic Texts and Theatre in Art and Theory?
Amfiteater, 2020 The essay analyses the corpora of the dramatic or non-dramatic texts of contemporary authors (Simona Semenič, Milena Marković, Tim Crouch, Oliver Frljić, Katarina Morano and Žiga Divjak, Anja Hilling, Wajdi Mouawad, Dino Pešut and She She Pop) as a ...
Tomaž Toporišič
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Il teatro postdrammatico e i suoi ampi dintorni
Mimesis Journal, 2018 The post-dramatic by Hans-Thies Lehmann is available in the Italian bookstores thanks to Cue Press Editors (Bologna 2017) that published it along with the translation written by Sonia Antinori and the afterword by Gerardo Guccini. In a brief anthology of
Alfio Petrini
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Postdramatic Elements in Mohammad Charmshir’s Plays: Applying Lehmann’s Framework to Everything Will Go You Won’t and Prince of Sorrow [PDF]
هنرهای زیبا. هنرهای نمایشی و موسیقیIn the last two decades, we can observe a new discourse in Iranian plays which is hard to analyze within dramatic theatre frameworks. New aspects in these plays show a great tendency toward late dominant theatrical movements in western drama. In order to
Mahmood Mohammadi +2 more
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Between, 2020 The aim of the essay is to throw some additional light on the politics of dissent in the Slovene and Yugoslav theatre of the 20th century. It focuses on the specific Central and East European area of non-aligned Yugoslavia as a Second World cultural ...
Tomaž Toporišič
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Addressing Social Issues Using Humors in Mayat (1978) Dramatic Text by Hatta Azad Khan
Responsible Education, Learning and Teaching in Emerging Economies, 2022 Objective: In the dramatic world, humour has been part of releasing tension for readers. Hatta Azad Khan is a renowned Malaysian dramatist who always addresses social issues in his writings.
Abdul Walid Ali +2 more
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Staging Scores: Devising Contemporary Performances from Classical Music
Open Library of Humanities, 2022 In this article, Egan and Pinchbeck combine Postdramatic Theatre (Lehmann, 2006), Composed Theatre (Rebstock and Roesner, 2012) and Score Theatre (Spagnolo, 2017) to address the representation of classical music in two separate contemporary performances ...
Kevin Egan, Michael David Pinchbeck
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