Results 11 to 20 of about 2,842 (232)
Il teatro postdrammatico e i suoi ampi dintorni
Mimesis Journal, 2018 The post-dramatic by Hans-Thies Lehmann is available in the Italian bookstores thanks to Cue Press Editors (Bologna 2017) that published it along with the translation written by Sonia Antinori and the afterword by Gerardo Guccini. In a brief anthology of
Alfio Petrini
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Postdramatic Elements in Mohammad Charmshir’s Plays: Applying Lehmann’s Framework to Everything Will Go You Won’t and Prince of Sorrow [PDF]
هنرهای زیبا. هنرهای نمایشی و موسیقیIn the last two decades, we can observe a new discourse in Iranian plays which is hard to analyze within dramatic theatre frameworks. New aspects in these plays show a great tendency toward late dominant theatrical movements in western drama. In order to
Mahmood Mohammadi +2 more
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Between, 2020 The aim of the essay is to throw some additional light on the politics of dissent in the Slovene and Yugoslav theatre of the 20th century. It focuses on the specific Central and East European area of non-aligned Yugoslavia as a Second World cultural ...
Tomaž Toporišič
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Addressing Social Issues Using Humors in Mayat (1978) Dramatic Text by Hatta Azad Khan
Responsible Education, Learning and Teaching in Emerging Economies, 2022 Objective: In the dramatic world, humour has been part of releasing tension for readers. Hatta Azad Khan is a renowned Malaysian dramatist who always addresses social issues in his writings.
Abdul Walid Ali +2 more
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Staging Scores: Devising Contemporary Performances from Classical Music
Open Library of Humanities, 2022 In this article, Egan and Pinchbeck combine Postdramatic Theatre (Lehmann, 2006), Composed Theatre (Rebstock and Roesner, 2012) and Score Theatre (Spagnolo, 2017) to address the representation of classical music in two separate contemporary performances ...
Kevin Egan, Michael David Pinchbeck
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Avant-garde, Rearguard and Apocalyptic Aesthetics in Ionesco
RiCognizioni, 2017 The study centres upon what I call the apocalyptic or rather post-apocalyptic aesthetics of Ionesco’s theatre, focused on an experience of weariness, of obsolescence, and of the reiterated dramatic (and existential) end.
Laura Pavel
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Sophocles’s Antigone on Slovenian Professional Stages [PDF]
Amfiteater, 2022 This paper deals with the more than century-long history of staging Sophocles’s Antigone on Slovenian professional stages. After the first, awkward attempt by Hinko Nučič in the Drama Ljubljana (1912), the impression was saved by the very well received ...
Matic Kocijančič
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On Collective and Devised Creation in Slovenian Theatre [PDF]
Amfiteater, 2021 In the first part of the article, the author analyses the appearance of the director and the changes in his position in Slovenian theatre from the second half of the 19th century to the present day. In this context, he is particularly interested in the
Aldo Milohnić
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Frank Castorf : de Kean à Hamletmaschine, ou le culte des contre-cultures
Cahiers d’Études Germaniques, 2013 By bringing together two plays, Kean (Alexandre Dumas, 1836) and Hamletmaschine (Heiner Müller, 1977) in November 2008 for the Volksbühne am Rosa-Luxemburg-Platz theatre, Frank Castorf, the theatre’s director since 1992, immediately prepares the entire ...
Sylvie Arlaud
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Teispool draamat: tekst nullindate teatris / Beyond Drama: Text in the Theatre of the 2000s
Methis: Studia Humaniora Estonica, 2013 The article examines the relations between Estonian dramaturgy and the rapidly renewing ‘post-dramatic’ theatre of the 2000s from two viewpoints: new text creation practices and how the poetics of texts have changed.
Luule Epner
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