Back to Verbal Theatre: Post-Post-Dramatic Theatres from Crimp to Crouch
Études Britanniques Contemporaines, 2013 The beginning of the 21st century is marked by a revival of verbal theatre: a theatre ‘In-Yer-Ear’ rather than In-Yer-Face. In recent plays by Dennis Kelly, Simon Stevens or debbie tucker green, nothing actually takes place but language, yet this verbal ...
Élisabeth Angel-Perez
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Clinical Progression Modes of Crizotinib Failure and Subsequent Management of Advanced Non‐Small Cell Lung Cancer With ROS1 Rearrangement [PDF]
Cancer MedicineBackground Crizotinib is the classic first‐line treatment for ROS1‐rearranged NSCLC. However, data on the clinical progression modes and recommended options for subsequent treatments after crizotinib treatment failure are limited.
Quan‐Quan Tan +10 more
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Fictionality of Heiner Muller’s Drama: Forms and Functions
Научный диалог, 2019 Using the broad material of Heiner Müller’s drama (1929-1995), the question of how to destroy the classical forms of dramatic conventions in German drama of the 60-80s is discussed in the article.
N. E. Seibel
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Colloquia Germanica StetinensiaIn this article, the role of the spectator in post-dramatic theater is examined using the example of the German-Swiss directing collective Rimini Protokoll, which has been producing innovative theater pieces worldwide for over 20 years.
Nathalie Besse
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Miradas críticas sobre el teatro posdramático Critical Views on Post-dramatic Theater
Aisthesis, 2009 Al analizar el teatro posdramático, tanto la crítica académica como la periodística muestran cierta incomodidad hermenéutica, la cual suele resolverse en el señalamiento de los distintos grados de lo real verificados en la escena, procedimiento que ...
Beatriz Trastoy
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Quand l’air reprend son souffle
Ambiances, 2021 On Philippe Quesne’s stage, human hierarchies and linearity of action are destructured: anthropocentrism no longer reigns and the scenic world exists for itself.
Zoé Brioude
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Deconstructions of the Opposition Between Representation and Presentation from the Neo-avant-garde to the Post-millennium: From Pupilija, Jesih and Jovanović to Zupančič, Živadinov, Frljić, Semenič and Divjak [PDF]
Amfiteater, 2023 The essay focuses on selected examples of the deconstruction of the opposition between representation and presentation, characteristic of post-mimetic art from the neo-avantgarde to the post-millennium.
Tomaž Toporišič
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Using Dramatic Monologue for Developing EFL Speaking Skills among Prospective Teachers [PDF]
Maǧallaẗ Kulliyyaẗ Al-Tarbiyyẗ Ǧamiʿaẗ Banhā, 2020 The aim of this research paper is to investigate the effectiveness of using dramatic monologue in developing EFL speaking skills among prospective teachers. The design of the study is one group, pre-post test. The sample of the present study consisted of
hasnaa Sabry Abdel-Hamid Ahmed Helwa
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Specificity of the actor's skill in the context of post-dramatic theater productions
National Academy of Managerial Staff of Culture and Arts Herald, 2021 The purpose of the article is to identify the features and determine a promising theoretical and practical approach to acting in the context of the specifics of post-dramatic theater. Methodology. An analytical method was applied to identify domestic and foreign scientific works on the theory of post-dramatic theater; the method of systems analysis and
Anton Mezhenin, Yuliya Tsyvatа
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Between, 2020 The aim of the essay is to throw some additional light on the politics of dissent in the Slovene and Yugoslav theatre of the 20th century. It focuses on the specific Central and East European area of non-aligned Yugoslavia as a Second World cultural ...
Tomaž Toporišič
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