Results 21 to 30 of about 1,840 (204)

Postdramatic Elements in Mohammad Charmshir’s Plays: Applying Lehmann’s Framework to Everything Will Go You Won’t and Prince of Sorrow [PDF]

open access: yesهنرهای زیبا. هنرهای نمایشی و موسیقی
In the last two decades, we can observe a new discourse in Iranian plays which is hard to analyze within dramatic theatre frameworks. New aspects in these plays show a great tendency toward late dominant theatrical movements in western drama. In order to
Mahmood Mohammadi   +2 more
doaj   +1 more source

THE POSTPANDEMIC WORLD THE (IM) POSSIBILITY OF PRODUCTIVE CHANGES [PDF]

open access: yesBezbednosni Dijalozi, 2021
The author situates the discussion of the post-pandemic world amidst the contradicting features of the present, the accumulation of advances and dramatic problems.
Radmila Nakarada
doaj   +1 more source

Il teatro postdrammatico e i suoi ampi dintorni

open access: yesMimesis Journal, 2018
The post-dramatic by Hans-Thies Lehmann is available in the Italian bookstores thanks to Cue Press Editors (Bologna 2017) that published it along with the translation written by Sonia Antinori and the afterword by Gerardo Guccini. In a brief anthology of
Alfio Petrini
doaj   +1 more source

Avant-garde, Rearguard and Apocalyptic Aesthetics in Ionesco

open access: yesRiCognizioni, 2017
The study centres upon what I call the apocalyptic or rather post-apocalyptic aesthetics of Ionesco’s theatre, focused on an experience of weariness, of obsolescence, and of the reiterated dramatic (and existential) end.
Laura Pavel
doaj   +1 more source

Dramma didattico, teatro post-drammatico e questione della rappresentazione

open access: yesCoSMO, 2013
The article shows how Brecht (with Fatzer) has somehow gone beyond “himself”, and beyond what could be politically argued. As priority is given to representation and not to education, the play accomplishes itself only at the moment of its reduplication ...
Hans Thies Lehmann
doaj   +1 more source

faust hat hunger und verschluckt sich an einer grete de Ewald Palmetshofer. De la digestion difficile des classiques

open access: yesCahiers d’Études Germaniques, 2013
In 2009, Ewald Palmetshofer presented with his postmodern play faust hat hunger und verschluckt sich an einer grete his own version of Goethe’s Faust, this monument of German Classicism.
Sylvie Arlaud
doaj   +1 more source

An isoform of 14‐3‐3 protein regulates transbilayer lipid movement at the plasma membrane

open access: yesFEBS Letters, EarlyView.
Loss of 14‐3‐3ζ in CHO cells confers resistance to exogenous phosphatidylserine (PS) and impairs endocytosis‐independent inward flip‐flop of fluorescent PS at the plasma membrane. RNAi‐mediated knockdown reproduces this defect, while no additive effect is seen in ATP11C‐deficient cells.
Akiko Yamaji‐Hasegawa   +3 more
wiley   +1 more source

Successful endoscopic management for early manifested postcesarean section uretero-uterine fistula: A case report and literature review

open access: yesUrology Annals, 2022
We report a rare case of post-cesarian section uretero-uterine fistula (UUF) in a 36 years old female who presented on a postoperative day 5 with paradoxical urine incontinence and occasional normal urethral voiding.
Adel Elatreisy   +4 more
doaj   +1 more source

Septin 9 PB domains coordinate centrosome positioning and microtubule acetylation to control epithelial polarity

open access: yesFEBS Letters, EarlyView.
Septin 9 polybasic domains couple phosphoinositide‐rich membrane binding to centrosome positioning, Golgi organization, and microtubule acetylation to control epithelial polarity. Their loss disrupts this axis, causing centrosome mispositioning, Golgi fragmentation, reduced microtubule acetylation, and polarity inversion via upregulation of the ...
Ting ting Cai   +4 more
wiley   +1 more source

Espaço inventado: o teatro pós-dramático na escola Invented space: postdramatic theater at school

open access: yesEducação em Revista, 2008
Com a publicação da lei n. 9394/96, a arte integra-se ao currículo do ensino básico como área de conhecimento. Neste ensaio, problematiza-se essa nova condição da arte na escola, refletindo a particularidade da experiência artística em relação às outras ...
Carminda Mendes André
doaj   +1 more source

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