Specificity of the actor's skill in the context of post-dramatic theater productions
The purpose of the article is to identify the features and determine a promising theoretical and practical approach to acting in the context of the specifics of post-dramatic theater. Methodology. An analytical method was applied to identify domestic and foreign scientific works on the theory of post-dramatic theater; the method of systems analysis and
Anton Mezhenin, Yuliya Tsyvatа
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Post-dramatic theater by Jana Fabrе
The purpose of the article is to reveal the specifics of J. Fabre's theatrical productions in the context of the development of post-dramatic art. Methodology. A set of methods of contemporary art criticism was applied, aimed at understanding Jan Fabre's theatrical activity in the context of the evolution of post-dramatic art: a biographical method ...
Ivashchenko, Iryna, Strelchuk, Viktoria
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How Can We Interpret the 21st-Century (No Longer) Dramatic Texts and Theatre in Art and Theory?
The essay analyses the corpora of the dramatic or non-dramatic texts of contemporary authors (Simona Semenič, Milena Marković, Tim Crouch, Oliver Frljić, Katarina Morano and Žiga Divjak, Anja Hilling, Wajdi Mouawad, Dino Pešut and She She Pop) as a ...
Tomaž Toporišič
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Post-dramatically: Russian theatre and its borders [PDF]
The article is devoted to the interpretation of the concept of postdramatic theatre as applied to the stage practice of modern Russian theatre. Despite the controversial theoretical status of the concept of postdramatic theatre, it is a convenient generalizing term to mark the directions towards expansion of theatrical boundaries that has taken place ...
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Nażywość czy nowa nażywość. Obecność a niecielesność we współczesnym teatrze
In the article I summarize ways of defining theatre and media. I present the diversity in defining and setting the boundaries of the theatre. I briefly discuss the development of media and new technologies.
Judyta Pogonowicz
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Contemporary Drama and the Question of the Neo-avant-garde Legacy of the 1960s and 1970s [PDF]
To some extent, contemporary drama is the heir of the neo-avant-garde of the late 1960s and 1970s. This time was that of the so-called performative turn, which pulled theatre away from representation and towards presentation.
Gašper Troha
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Sequential Dramatic Regrowth of a Lumbar Pedicle Post–Antitubercular Therapy
Spinal tuberculosis is a frequently encountered extrapulmonary form of the disease. Despite this disease being rampant in developing countries, there are no straightforward guidelines for the diagnosis and treatment of spinal tuberculosis.
Saurabh Kumar Verma +3 more
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Tactile Communism: Keti Chukhrov’s Post-Soviet Dramatic Works and the Legacy of Soviet Defectology
In this article, I analyze the character of hyper-naturalism and exaggerated tactility in dramatic poems by contemporary Russian-Georgian philosopher and writer Keti Chukhrov.
Anastasiya Osipova
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A diverse range of aesthetic and dramatic forms characterizes contemporary German-language theater. The vast majority of them are directors’ theaters, which can be traced back to Brecht’s aesthetics, theory, and theatrical work.
Andreas Englhart
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METATHEATRICAL AND POST DRAMATIC DEVICES: AN OVERVIEW OF POST-MODERN THEATRE رؤية عامة في مسرح ما بعد الحداثة: سمات ما بعد المسرح وما وراء الدراما [PDF]
Modern theatre did not completely abide by classical devices or categories along history. There were some diversions among realists, naturalists and expressionists, however, the most revolting wave was that of the post modernists and their predecessors ...
هبة نبيل عجينة
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