Lintel decoration types from the Temple of Hatshepsut at Deir el-Bahari and their meaning [PDF]
Polish Archaeology in the Mediterranean, 2021 Examination of the set of preserved gate lintels from the Temple of Hatshepsut in Deir el-Bahari has revealed two models of the iconographic decoration: one that emphasizes pictorial content in the form of scenes of a cultic or symbolic nature, with ...
Adrianna Madej
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New Dipinti in the Birth Portico of the Hatshepsut Temple at Deir el-Bahari
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2018 The subject of the present paper are two hitherto unpublished hieratic dipinti from the Birth Portico of the Temple of Queen Hatshepsut at Deir el-Bahari.
Mirosław Barwik
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Preliminary assessment of human remains from the Temple of Hatshepsut at Deir el Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 Excavations over the course of many seasons by the Polish-Egyptian Mission in the Temple of Hatshepsut at Deir el-Bahari have revealed the presence of multiple intrusive burials within and around the temple structure itself.
Roselyn A. Campbell
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A “ghost” fragment from the chapel of Tuthmosis I in the Royal MortuaryCult Complex of the Hatshepsut Temple [PDF]
Polish Archaeology in the Mediterranean, 2016 A peculiar drawing of a part of the decoration of the Royal Mortuary Cult Complex inthe Hatshepsut temple at Deir el-Bahari, as copied once by Johannes Dümichen, is the subject ofthis paper.
Mirosław Barwik
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Inscribed pot-stands represented in the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 On the lateral walls of the Bark Hall in the Main Sanctuary of Amun in the Temple of Hatshepsut, four stands for burning offerings are represented in front of Amun’s bark. Conservation work on the walls of this room uncovered the painted layer.
Anastasiia Stupko-Lubczyńska
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Reconstruction of the bases of sandstone sphinxes from the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2019 The reconstruction of the iconographic program of the decoration of the sandstone bases of a group of sphinxes ofHatshepsut lining the processional avenue leading to the Queen’s Mansion of a Million Years in the temple at Deir el-Bahari is the prime ...
Katarzyna Kasprzycka
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Theoretical reconstruction of the Solar Altar in the Hatshepsut Temple at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2017 In a recent article Andrzej Ćwiek (2015) criticized on ideological grounds one of the hypotheses concerning the reconstruction of the Solar Altar in the Complex of the Sun Cult of the Temple of Hatshepsut in Deir el-Bahari. The theoretical reconstruction
Teresa Dziedzic
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Basketry, matting, cordage, and other organic objects from Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2021 Organic artifacts made of plant fibres are frequently found on Egyptian sites. Numerous baskets, mats, cordage, brushes and small items of daily use were collected, classified and documented during the Polish excavations in the Temple of Hatshepsut (Deir
Aleksandra Pawlikowska-Gwiazda
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The iconography of co-rule at Deir el-Bahari: Hatshepsut andTuthmosis III in the Statue Room of the Main Sanctuary of Amun [PDF]
Polish Archaeology in the Mediterranean, 2016 Hatshepsut and Tuthmosis III were represented as seemingly equal kings on the sidewalls of the Second Room of the Main Sanctuary of Amun in the Temple of Hatshepsut in Deirel-Bahari.
Marta Sankiewicz
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The West Wall of the Portico of Obelisks in Hatshepsut's Temple in 2018 and 2019: conservation and studies [PDF]
Polish Archaeology in the Mediterranean, 2019 The longest, west wall of the South Lower Portico (Portico of Obelisks) of the Temple of Hatshepsut at Deir el-Bahari has been reassessed in terms of its current state, compared to the original documentation by Edouard Naville, as an opening step to the ...
Ewa Józefowicz
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