The Main Sanctuary of Amun-Ra in the Hatshepsut Temple at Deir el-Bahari. An introduction to architectural studies [PDF]
Polish Archaeology in the Mediterranean, 2021 The Main Sanctuary of Amun-Ra in the Temple of Hatshepsut in Deir el-Bahari has been studied repeatedly, but never comprehensively (Naville 1906; Winlock 1932; Wysocki 1985).
Urszula Kraśniewska
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New Dipinti in the Birth Portico of the Hatshepsut Temple at Deir el-Bahari
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2018 The subject of the present paper are two hitherto unpublished hieratic dipinti from the Birth Portico of the Temple of Queen Hatshepsut at Deir el-Bahari.
Mirosław Barwik
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Christian Secondary Epigraphy in the Temple of Hatshepsut. Some New Remarks
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021 Reusage was a common phenomenon in the ancient world. Throughout the history of Egypt, from the very early beginnings until modern times, tombs, temples, quarries or loose architectural elements were adapted for new purposes. The Temple of Hatshepsut in
Aleksandra Pawlikowska-Gwiazda
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A “ghost” fragment from the chapel of Tuthmosis I in the Royal MortuaryCult Complex of the Hatshepsut Temple [PDF]
Polish Archaeology in the Mediterranean, 2016 A peculiar drawing of a part of the decoration of the Royal Mortuary Cult Complex inthe Hatshepsut temple at Deir el-Bahari, as copied once by Johannes Dümichen, is the subject ofthis paper.
Mirosław Barwik
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The niches of the Vestibule of the Royal Mortuary Cult Complexof the Temple of Hatshepsut in Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2016 The article is about damages to the architecture and wall decoration of niches in theVestibule of Hatshepsut in the Royal Mortuary Cult Complex. Traces of ancient repairs may bediscerned in the distorted layers of limestone blocks and deformed relief ...
Mariusz Caban
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Lintel decoration types from the Temple of Hatshepsut at Deir el-Bahari and their meaning [PDF]
Polish Archaeology in the Mediterranean, 2021 Examination of the set of preserved gate lintels from the Temple of Hatshepsut in Deir el-Bahari has revealed two models of the iconographic decoration: one that emphasizes pictorial content in the form of scenes of a cultic or symbolic nature, with ...
Adrianna Madej
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Inscribed pot-stands represented in the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 On the lateral walls of the Bark Hall in the Main Sanctuary of Amun in the Temple of Hatshepsut, four stands for burning offerings are represented in front of Amun’s bark. Conservation work on the walls of this room uncovered the painted layer.
Anastasiia Stupko-Lubczyńska
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The secretarybird dilemma: identifying a bird species fromthe Temple of Hatshepsut at Deir el-Bahari
Polish Archaeology in the Mediterranean, 2018 Known from a few representations in Predynastic Egyptian art, the secretarybird has otherwise been elusive, in the art of Pharaonic Egypt as well as the scientific discourse on iconographic imagery of birds in ancient Egypt. The author's studies of the animal decoration at the Temple for her doctoral dissertation identified three images of birds ...
Kamila Braulińska
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Theoretical reconstruction of the Solar Altar in the Hatshepsut Temple at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2017 In a recent article Andrzej Ćwiek (2015) criticized on ideological grounds one of the hypotheses concerning the reconstruction of the Solar Altar in the Complex of the Sun Cult of the Temple of Hatshepsut in Deir el-Bahari. The theoretical reconstruction
Teresa Dziedzic
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(Un)usual? Glass finds from the site of the Hatshepsut Temple in Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2021 A group of glass shards recovered from the fill of shaft tombs from the Third Intermediate Period on the Upper Terrace of the Temple of Hatshepsut in Deir el-Bahari consists for the most part of non-diagnostic body vessel fragments. At least 17 different
Renata Kucharczyk
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