Research of the Theban limestone: The case of Temple of Hatshepsut in Deir el-Bahari [PDF]
E3S Web of Conferences, 2018 Authors of this article wish to collect previous research and broaden knowledge about limestone used for construction of the Temple of Hatshepsut and present results of the latest studies.
Dziedzic Teresa, Michiewicz Mieczysław
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Preliminary assessment of human remains from the Temple of Hatshepsut at Deir el Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 Excavations over the course of many seasons by the Polish-Egyptian Mission in the Temple of Hatshepsut at Deir el-Bahari have revealed the presence of multiple intrusive burials within and around the temple structure itself.
Roselyn A. Campbell
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Inscribed pot-stands represented in the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 On the lateral walls of the Bark Hall in the Main Sanctuary of Amun in the Temple of Hatshepsut, four stands for burning offerings are represented in front of Amun’s bark. Conservation work on the walls of this room uncovered the painted layer.
Anastasiia Stupko-Lubczyńska
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Safeguarding Cultural Heritage: Integrating laser scanning, InSAR, vibration monitoring and rockfall/granular flow runout modelling at the Temple of Hatshepsut, Egypt [PDF]
Earth Surface DynamicsThe predictive capacity for rockfall has significantly increased in the last decades, but complementary combinations of observation methods accounting for the wide range of processes preparing and triggering rockfall are still challenging, especially at ...
B. Jacobs +11 more
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The Author Takes a Bow: A Self-Portrait in Assistenza in the Temple of Hatshepsut at Deir el-Bahari
ArtsIn art-historical terms, a self-portrait in assistenza refers to an artist having inserted their own likeness into a larger work. In Renaissance-era art, more than 90 examples have been identified, famously including Botticelli’s Adoration of the Magi (c.
Anastasiia Stupko-Lubczynska
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Reconstruction of the bases of sandstone sphinxes from the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2019 The reconstruction of the iconographic program of the decoration of the sandstone bases of a group of sphinxes ofHatshepsut lining the processional avenue leading to the Queen’s Mansion of a Million Years in the temple at Deir el-Bahari is the prime ...
Katarzyna Kasprzycka
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Theoretical reconstruction of the Solar Altar in the Hatshepsut Temple at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2017 In a recent article Andrzej Ćwiek (2015) criticized on ideological grounds one of the hypotheses concerning the reconstruction of the Solar Altar in the Complex of the Sun Cult of the Temple of Hatshepsut in Deir el-Bahari. The theoretical reconstruction
Teresa Dziedzic
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The Personification Of " wAHt " In Red Chapel of Queen Hatshepsut at Karnak Temple.
International Journal of Tourism and Hospitality Management, 2021 Sherry Magharious +2 more
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Basketry, matting, cordage, and other organic objects from Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2021 Organic artifacts made of plant fibres are frequently found on Egyptian sites. Numerous baskets, mats, cordage, brushes and small items of daily use were collected, classified and documented during the Polish excavations in the Temple of Hatshepsut (Deir
Aleksandra Pawlikowska-Gwiazda
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The iconography of co-rule at Deir el-Bahari: Hatshepsut andTuthmosis III in the Statue Room of the Main Sanctuary of Amun [PDF]
Polish Archaeology in the Mediterranean, 2016 Hatshepsut and Tuthmosis III were represented as seemingly equal kings on the sidewalls of the Second Room of the Main Sanctuary of Amun in the Temple of Hatshepsut in Deirel-Bahari.
Marta Sankiewicz
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