Results 21 to 30 of about 2,371 (169)

What an artist saw. Tracing the local iconographic tradition for the Temple of Hatshepsut at Deir el-Bahari [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2021
An unusual iconographic motif—a fringed piece of linen—depicted in the Chapel of Hatshepsut, part of the queen’s temple at Deir el-Bahari, is examined in this paper as an illustration of the interest, well attested in Hatshepsut’s reign, in past artistic
Anastasiia Stupko-Lubczynska
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Tombs of Coptic anchorites at the site of the Temple of Hatshepsut in Deir el-Bahari [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2021
Early Coptic tombs, two at least, were discovered on the Upper Terrace of the Temple of Hatshepsut at Deir el-Bahari. The orientation of the tombs is north–south, which is the typical orientation of early Christian tombs.
Zbigniew E. Szafrański
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Dipinti in the relieving chamber above the Bark Hall of the Hatshepsut Temple at Deir el-Bahari [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2018
The paper presents ancient dipinti, both hieroglyphic and hieratic, traced in the relieving chamber above the Bark Hall of the Hatshepsut temple in Deir el-Bahari.
Miroslaw Barwik
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Remarks on royal statues in the form of the god Osiris from Deir el-Bahari [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2018
This article recapitulates information available, and mostly not published yet, on the statues in the form of the god Osiris from the Upper (Coronation) and Lower Porticoes of the Temple of Hatshepsut at Deir el-Bahari.
Zbigniew E. Szafrański
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Four seasons of documentation in the Main Sanctuary of Amun-Re in the Temple of Hatshepsut at Deir el-Bahari [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2016
Four seasons of documentation have supplied pertinent data to indicate that theMain Sanctuary of Amun-Re in the Temple of Hatshepsut in Deir el-Bahari was perceived froma theological perspective as a cult place for the local form of Foremost of +sr-Dsrw ...
Franciszek Pawlicki
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Montu priestly families at Deir el-Bahari in the Third Intermediate Period [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2018
The mostly intact Twenty-fifth Dynasty qrsw-coffin sets of Heresenes and the Montu priests Padiamunet (iii) and Nespaqashuty (vi) were discovered on the Upper Terrace at Deir el-Bahari by Émile Baraize in 1932–1933, but were never fully studied or ...
Cynthia May Sheikholeslami
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A record of the transport of stone blocks on ostrakon DeB/F.608 [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2019
Ostrakon DeB/F.608 was found in the area of the Temple of Tuthmosis III at Deir el-Bahari. There are good reasons, however, to link it to the building of the Temple of Queen Hatshepsut and more precisely to the transport of stone blocks by a crew of ...
Miroslaw Barwik
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Stamped bricks of Amenhotep I from Deir el-Bahari [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2018
Stamped bricks with the names of the king Amenhotep I and his mother, queen Ahmes Nefertari, were found throughout Deir el-Bahari, including the Temple of Hatshepsut investigated by a mission from the Polish Centre of Mediterranean Archaeology University
Adrianna Madej
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The Main Sanctuary of Amun-Ra in the Hatshepsut Temple at Deir el-Bahari. An introduction to architectural studies [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2021
The Main Sanctuary of Amun-Ra in the Temple of Hatshepsut in Deir el-Bahari has been studied repeatedly, but never comprehensively (Naville 1906; Winlock 1932; Wysocki 1985).
Urszula Kraśniewska
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The gods bestow life. New material for the study of divine processions in the Vestibule of the Chapel of Hatshepsut in Deir el-Bahari [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2018
The decoration of the Vestibule of the Chapel of Hatshepsut in the queen’s temple in Deir el-Bahari resembles the decoration of the square antechamber known from the pyramid temples of the Old and Middle Kingdoms.
Edyta Kopp
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