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An 'arsenal for the supply of ammunition for the defence of vaccination': the Jenner Society and anti-anti-vaccinationism in England, 1896-1906. [PDF]
Newsom Kerr ML.
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Inclusion of Sub-Antarctic Macroalgae (<i>Gigartina skosttsbergii</i>) as Feed Ingredient for Grazing Sheep. [PDF]
Glucevic C +4 more
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Extensive photophysiological variation in wild barley is linked to environmental origin. [PDF]
Breil-Aubert M +13 more
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Pain pathophysiology and pharmacology of cattle: how improved understanding can enhance pain prevention, mitigation, and welfare. [PDF]
Zoltick AH, Mann S, Coetzee JF.
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Myth, memory and Maison close: representing sex work on screen
French Screen Studies, 2023The maison close [brothel] in French history and culture, particularly during the nineteenth century because of its representation in art and literature, could be argued to be a lieu de mémoire [site of memory].
Will Visconti
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Proceedings of the British Society of Animal Science, 1996
It is generally believed that ruminants are better able to degrade highly fibrous feeds than equines. To determine if this is due to differences between the microflora of the rumen and the equine hind-gut, oatfeed (OF), naked oats (NO), soya hulls (SH ...
R. S. Lowman +3 more
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It is generally believed that ruminants are better able to degrade highly fibrous feeds than equines. To determine if this is due to differences between the microflora of the rumen and the equine hind-gut, oatfeed (OF), naked oats (NO), soya hulls (SH ...
R. S. Lowman +3 more
semanticscholar +1 more source
Border Screen(ings), Or How to Undocument a Body
Screen BodiesThe spectacle of war in the US-Mexico border is ubiquitously projected onto the screens that mediate our daily life, so that the screen (and the process of screening) becomes part of the discourses and material conditions of colonial capitalism ...
Debbie M. Duarte Sanchez
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Ambushing the Indian Screen: Vernacularisation, Semiotic Tactics and Magical Realism
BioScope South Asian Screen StudiesKamal Swaroop’s Om Dar-B-Dar (1988/2014) and Anamika Haksar’s Ghode Ko Jalebi Khilane Le Ja Riya Hu (2018) represent a fusion of various modes, methodologies and mediums.
Prithu Halder, Bibhuti M Kachhap
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