Results 11 to 20 of about 830,488 (300)

Synchronized Hardware-Registered VIS-NIR Imaging Spectroscopy and 3D Sensing on a Fresco by Botticelli

open access: yesSensors, 2021
We discuss a synchronised sensing technique for the analysis of painted surfaces of frescos. Specifically, the performance of Visible-Near Infrared (VIS-NIR) Reflectance Imaging Spectroscopy (RIS) synchronized with three-dimensional (3D) acquisition is ...
Jana Striova   +3 more
doaj   +1 more source

Nondestructive Evaluation of Lined Paintings by THz Pulsed Time-Domain Imaging

open access: yesHeritage, 2023
For the past 20 years, THz pulsed time-domain imaging has been used to study the internal structure of various paintings. The main advantage of this technique is that it can nondestructively provide depth profiles, as well as conditions of preparation ...
Kaori Fukunaga
doaj   +1 more source

Heritage Science Contribution to the Understanding of Meaningful Khipu Colours

open access: yesHeritage, 2023
This work is the first scientific study of khipu dyes and inorganic mordants and auxiliaries, paving the way for a new approach to understanding khipus’ meaningful materiality, technology, and colours.
Lucrezia Milillo   +5 more
doaj   +1 more source

A Comprehensive and Systematic Diagnostic Campaign for a New Acquisition of Contemporary Art—The Case of Natura Morta by Andreina Rosa (1924–2019) at the International Gallery of Modern Art Ca’ Pesaro, Venice

open access: yesHeritage, 2021
A multi-analytical approach has been employed to investigate the painting Natura Morta (1954–1955) by Andreina Rosa (1924–2019) to assess the state of conservation and to understand more about the painting materials and techniques of this artwork, which ...
Anna Piccolo   +8 more
doaj   +1 more source

MA-XRF for the Characterisation of the Painting Materials and Technique of the Entombment of Christ by Rogier van der Weyden

open access: yesApplied Sciences, 2021
At present, macro X-ray fluorescence (MA-XRF) is one of the most essential analytical methods exploited by heritage science. By providing spatial distribution elemental maps, not only does it allow for material characterisation but also to understand, or
Anna Mazzinghi   +6 more
doaj   +1 more source

Intervista a Grazia Tucci Direttrice del SIMPOSIO CIPA 2023 Documenting, Understanding, Preserving Cultural Heritage

open access: yesArcheomatica, 2023
Abbiamo intervistato l’attuale Direttrice del SIMPOSIO CIPA 2023 Firenze Prof. Grazia Tucci. Il 29° Simposio CIPA Heritage Documentation partirà nella prestigiosa cornice di Palazzo Vecchio - Salone dei Cinquecento - per proseguire, in una settimana di ...
Redazione Archeomatica
doaj   +4 more sources

Paint and Coloring Materials from the Brazilian Amazon Forest: Beyond Urucum and Jenipapo

open access: yesHeritage, 2023
The Brazilian Legal Amazon region is divided into at least 155 ethnic groups and has the largest concentration of Indigenous people globally. It represents one of the most extraordinary levels of human, cultural, and artistic diversity, but its material ...
Thiago Sevilhano Puglieri   +1 more
doaj   +1 more source

Achieving the state of research pertaining to GIS applications for cultural heritage by a systematic literature review [PDF]

open access: yes, 2018
During the last decade, we have witnessed an increased interest in Geographic Information Systems (GIS), including the so-called “Historical GIS”, 3D GIS heritage and its subcategory of “SDI for cultural heritage”.
Ferreira Lopes, Patricia
core   +3 more sources

Mapping with Macro X-ray Fluorescence Scanning of Raffaello’s Portrait of Leo X

open access: yesHeritage, 2022
Raffaello is renowned as one of the Old Renaissance Masters and his paintings and painting technique are famous for the details and naturality of the characters.
Anna Mazzinghi   +5 more
doaj   +1 more source

Critical Analysis of the Materials Used by the Venetian Artist Guido Cadorin (1892–1976) during the Mid-20th Century, Using a Multi-Analytical Approach

open access: yesHeritage, 2023
The present study sought to expand on and confirm the already available information on the painting materials used by the Venetian artist Guido Cadorin (1892–1976).
Erik Guillermo Morales Toledo   +5 more
doaj   +1 more source

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