Results 11 to 20 of about 2,427 (134)
Journal of Mosaic Research, 2018 The embellishment of pavements has always assumed a crucial role in what can be considered the furnishing of private and public spaces. The best known in antiquity has been, without doubt, the mosaic in all its forms: pebble mosaics, opus signinum, opus ...
Maria de Jesus DURAN KREMER
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Santander, Estudios de Patrimonio, 2023 El total desconocimiento acerca de dos cruces procesionales que forman parte de instituciones museísticas portuguesas, hasta su adquisición, en la segunda mitad del siglo pasado, hace inviable cualquier investigación archivística, condicionando el ...
Nuno Cruz GRANCHO
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The Discourse of Equality in Spanish Museums. How Social Media Communicate International Women's Day
Curator: The Museum Journal, EarlyView.ABSTRACT International Women's Day on March 8th is an arena for discourse in contemporary Spain, highlighted by intra‐feminist tension and ideological polarization. In their role as sociocultural mediators, museums construct narratives of gender equality.
Héctor Navarro‐Güere +2 more
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Palaces for a New Spain Nobility: Between Creole Identity and Academicism
Sociology Lens, Volume 38, Issue 1, Page 75-86, March 2025.ABSTRACT Mexico City and Havana had a significant number of noble palaces during the eighteenth century. Until now, the dearth of historical documentation on their construction has hampered any approximation, requiring other methodologies. Here, it is intended to establish how a new visual code was defined, consistent both with their local style and ...
Pedro Luengo
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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Rebeca, 2018 Este artigo oferece um estudo do filme Aquarius(AQUARIUS, 2016), de Kleber Mendonça Filho, em comparação com Terra em Transe(TERRA, 1967), de Glauber Rocha.
Carolin Overhoff Ferreira
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Art is on, 2016 A extinção das Ordens Religiosas, por decreto do governo liberal, datado de 1834, teve um impacto devastador nas obras de artes decorativas presentes nos então extintos espaços monacais e conventuais da cidade de Lisboa.
Sílvia Ferreira
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São Tiago no azulejo barroco português
Ad Limina, 2020 Tendo por base uma recolha metódica, mas não exaustiva, das representações em azulejo com iconografia de São Tiago, e evidenciando os ciclos narrativos que caracterizaram o barroco português, o presente artigo começa por propor uma identificação precisa ...
Rosário Salema de Carvalho +1 more
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More Science Than Art: The First Botanical Garden in Portugal (c. 1650)
Renaissance Studies, EarlyView.ABSTRACT Gabriel Grisley, a German physician, came to Portugal and founded a garden near the Xabregas River in Lisbon, during the 1610s under the Spanish kings' rule. In view of the utility a botanic garden represented for the kingdom, he was able to obtain a royal privilege from King João IV during the Restauration War against the Spanish (1640–1668).
Ana Duarte Rodrigues
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Renaissance Studies, EarlyView.ABSTRACT Native to America, the pineapple—Ananas comosus (L.) Merr.—delighted the Europeans who came across it. The fruit was mentioned by the voyagers and missionaries who observed and tasted it in the Americas and, from the 1500s onwards, infused reports, chronicles and natural history treatises with colour and flavour.
Teresa Nobre de Carvalho
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