Results 21 to 30 of about 2,495 (134)

O MARQUÊS DE SOUSA HOLSTEIN E A FORMAÇÃO DA GALERIA NACIONAL DE PINTURA DA ACADEMIA DE BELAS-ARTES DE LISBOA

open access: yesArt is on, 2016
Neste texto definimos e sintetizamos algumas ideias centrais da Galeria Nacional de Pintura da Academia de Belas-Artes de Lisboa, da formação do seu acervo a partir de 1834, com a extinção das ordens religiosas, até à abertura do Museu Nacional de ...
Hugo Xavier
doaj   +3 more sources

PATRIMÓNIO E HISTÓRIA DA INDÚSTRIA DOS MÁRMORES: O PAPEL DA HISTÓRIA DA ARTE NUM PROJETO PLURIDISCIPLINAR

open access: yesArt is on, 2018
A investigação consagrada ao estudo das pedreiras (extintas e em atividade) e à sua relação com o património histórico-artístico tem sido escassa em Portugal, registando-se a ausência de um programa que, à escala nacional, identifique e promova as suas ...
Clara Moura Soares   +5 more
doaj  

De Stupro: First Insights on Rape and Its Prosecution in Maltese Courts (1701–10)

open access: yesJournal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 265-286, September 2026.
Abstract This article constitutes a first in‐depth investigation of rape and the prosecution of this crime in early eighteenth‐century Malta. The research, which is based on sixteen rape accusations claimed at the secular courts in Malta between 1701 and 1710, has analysed cases categorized as ‘simple rape’, ‘violent rape’ and rape committed under the ...
Vanessa Buhagiar
wiley   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, Volume 40, Issue 4, Page 570-588, September 2026.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

Do Tejo para o Amazonas: as chalupas de guerra de Manuel Vicente Nunes (1711-C.1775) [PDF]

open access: yesNavigator, 2018
Among the hundreds of illustrations produced during the famous “Philosophical Journey” of the naturalist Alexandre Rodrigues Ferreira, by the captaincies of Grão-Pará, Rio Negro, Mato Grosso and Cuiabá, between 1783 and 1792, are some drawings of several
Nuno Saldanha
doaj  

I'll Be Dammed: Efficiency and Cost‐Analysis of a Rehabilitated Prehispanic Dam in the Andes

open access: yesGeoarchaeology, Volume 41, Issue 4, July/August 2026.
ABSTRACT Within archaeology there is a growing shift away from the purely aesthetic towards making the past relevant to present and future needs and demands. The Past Water Futures project charts the impact of ancient dam rehabilitation on climate change‐induced water scarcity in the North Central Andes.
Kevin Lane   +5 more
wiley   +1 more source

“Humanizar”: aprendizajes sobre alteridad, salud y futuro en una experiencia de investigación compartida

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 31, Issue 2, June 2026.
ABSTRACT The visit to Bogotá of a fééeneminaa (Muinane) friend, Célimo Nejedeka Jifichíu, and in particular, his work in researching and transmitting traditional health knowledge, offer the pretext to navigate the relationship between elements that at first glance seem distant from each other: indigenous imaginaries about otherness, their visions of ...
Giovanna Micarelli
wiley   +1 more source

O GOSTO PELO COLECIONISMO DE VITRAL ANTIGO EM PORTUGAL E NO BRASIL, NO SÉCULO XIX - A COLEÇÃO FERREIRA DAS NEVES

open access: yesArt is on, 2018
Centra-se o presente estudo no conjunto de quatro vitrais suíços, do século XVI, pertencentes à coleção de arte do bibliófilo Jerónimo Ferreira das Neves (1854-1918), um brasileiro que passou temporadas em Portugal. Aprofundar o conhecimento acerca deste
Clara Moura Soares, Maria João Neto
doaj  

Two historical disasters: the Great Fire of London and the 1755 Lisbon Earthquake - repercussions in the Artistic Heritage and attitudes of rehabilitation

open access: yesConservar Património, 2017
The disasters with the most destructive impact, namely on edified heritage that occurred in Europe during the Modern Era took place in London and Lisbon, with the Great Fire of 1666 and the Great Earthquake of 1755.
Madalena Costa Lima   +1 more
doaj   +1 more source

Reader Interaction with Graphic Devices in Early Modern English Printed Books☆

open access: yesRenaissance Studies, Volume 40, Issue 2, Page 254-273, April 2026.
Abstract Research into marginalia or reader annotations has become a well‐established branch of early modern book studies, shedding light on one of the ways in which manuscript and print coexisted and interacted in this period. The present study sets out to discover how readers engaged with printed graphic devices and with texts that contain such ...
Aino Liira
wiley   +1 more source

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