Results 41 to 50 of about 484,400 (296)

The performance of notes inégales: the influence of tempo, musical structure and individual performance style on expressive timing [PDF]

open access: yes, 2011
NOTES INÉGALES IS A COMMON PRACTICE IN THE per- formance of French baroque music. It indicates that the first of a pair of equally notated notes is played longer, similar to the use of swing eighths in jazz.
Moelants, Dirk
core   +2 more sources

The Insistence of Blackness and the Persistence of Antiblackness in Ireland

open access: yesAustralian Journal of Social Issues, EarlyView.
ABSTRACT This paper positions Ireland as a critical site for examining the insistence of blackness and an antiblackness created and sustained through Irish ethnonationalist imaginaries and exclusionary processes. Drawing on connected sociologies and Irish Black Studies, this enquiry argues that antiblackness in Ireland operates as a generational force,
Philomena Mullen
wiley   +1 more source

History and Theory of Musical Writing as an Academic Discipline [PDF]

open access: yesМузыкальное искусство и образование, 2019
The article outlines the reasons why the modern musicologist must be competent in matters of history and theory of a notation. Results of research of the systems of graphical writing of music are proposed to be used in educational purposes ...
Stanislav E. Englin
doaj   +1 more source

Graduate Catalog, 1969-1970 [PDF]

open access: yes, 1969
https://scholar.valpo.edu/gradcatalogs/1005/thumbnail ...
Valparaiso University
core   +2 more sources

On the Prospects for African Philosophy in Australia

open access: yesAustralian Journal of Social Issues, EarlyView.
ABSTRACT This paper grapples with the situation of people of African descent in Australia by working through the constitution of the body of academic philosophy in the country. It contends with the parochialism of the Australian philosophical community and the prospects for the cultivation of greater pluralism. Taking African philosophy as one possible
Bryan Mukandi
wiley   +1 more source

The Historiography of Minimal Music and the Challenge of Andriessen to Narratives of American Exceptionalism (1) [PDF]

open access: yes, 2019
Assumptions of over-arching unity amongst composers and compositions solely on the basis of common nationality/region are extremely problematic in the modern era, with great facility of travel and communications.
Pace, I.
core   +1 more source

Stakeholder Perspectives on Therapeutic and Safe Building Design in Residential Care

open access: yesAustralian Journal of Social Issues, EarlyView.
ABSTRACT Residential care is a form of out‐of‐home care that plays a critical role in supporting vulnerable young people in Australia. However, there is an evidence gap regarding the built environment in this context. This research aimed to explore the perspectives of key stakeholders in residential care in Victoria, Australia, regarding design that ...
Carmen Schroder   +3 more
wiley   +1 more source

Listening to Music in the Digital Era

open access: yesAisthesis, 2016
In this paper, I examine the relationship between new technologies and listening, starting from a distinction between two different levels. The first concerns the role new technologies play in the “mere” reproduction and diffusion of music materials that
Giacomo Fronzi
doaj   +3 more sources

From Musical Grammars to Music Cognition in the 1980s and 1990s: Highlights of the History of Computer-Assisted Music Analysis

open access: yesMuzikološki Zbornik, 2007
While approaches that had already established historical precedents – computer-assisted analytical approaches drawing on statistics and information theory – developed further, many research projects conducted during the 1980s aimed at the development of ...
Nico Schüler
doaj   +1 more source

« Con attenzione degli orecchi » : figurations sonores de la guerre à la Renaissance

open access: yesArts et Savoirs, 2023
During the Renaissance, poetry and music record how loud, strange and fascinating war can be. Epic literature and historical practices of sound and music in military context have indeed shaped battle as a culturally extreme soundscape.
Pauline Lafille
doaj   +1 more source

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