Results 141 to 150 of about 204,205,380 (194)

Music and Multimedia: Theory and History

Music Analysis, 2003
In Music, Imagination and Culture, Nicholas Cook outlines a 'difference between how people think and talk about music on the one hand, and how it is experienced on the other' (Cook 1990, p. 1). He explores the idea that an aesthetic approach to musical listening which understands music in terms of formal structure does not approximate to the ways in ...
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Style and music: theory, history, and ideology

Choice Reviews Online, 1990
Abstract The concept of style is integral to the existence of musicology. In his article of 1885 articulating the nature and limits of this new academic discipline Guido Adler placed a distinct emphasis upon the historical evolution of musical styles. He suggested a sequence of analytical steps through which a work could be identified as belonging to a
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Studies in the History of Italian Music and Music Theory

1994
Abstract Claude V. Palisca has long been acknowledged as a leading authority on Italian music of the late sixteenth and early seventeenth centuries. These nineteen essays, originally published between 1956 and 1989, draw together a body of significant research into Italian music and music theory, and make readily available papers widely ...
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Feminist Music Theory into the Millennium: A Personal History

Signs: Journal of Women in Culture and Society, 2000
L'A. cite le veux d'une amie âgee qui souhaitait d'etre nee cinquante ans plus tard pour pouvoir etudier la musique et compare sa situation avec celle d'aujourd'hui, caracterisee par la richesse des participations feminines dans le domaine musical.
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Women’s Labor and the History of Music Theory

The Journal of Musicology
If in recent decades the field of music theory has seen a reduction in inequalities in gender representation, its histories remain sites of stark imbalance. Rather than working to increase the representation of women as authors of music-theoretical texts, this article seeks to recognize the contributions of women to histories that we already (think we)
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Helmholtz, Music Theory, and Liberal-Progressive History

Journal of Music Theory, 2010
Hermann von Helmholtz's theory of melodic “affinity,” which he considered his primary contribution to music-theoretical thought, is inherently historicist in its conception. It seeks not only to explain local tonal relationships but also to provide a rationale for transhistorical change in musical structures. Yet this historical dimension, in many ways
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Studies in Music History and Theory

Notes, 1956
William Kimmel, Lee Rigsby
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MUSIC THEORY AND ITS HISTORIES

2009
O artigo examina a polêmica entre duas posições traçadas no estudo da teoria musical: a ”histórica” e a “teórica”. Mantendo a polaridade básica entre estas duas ontologias estabelecidas pelo musicólogo alemão Carl Dahlhaus, o autor argumenta que a polarização simplista, senão política, é usada como uma ferramenta para mediar a incompatibilidade entre ...
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Music: History and Theory

Music Educators Journal, 1965
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The Cambridge History of Western Music Theory

Music Educators Journal, 2007
Elizabeth Fetters, Thomas Christensen
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