History of music theory - Open Access .click

Results 31 to 40 of about 204,205,380 (194)

Zeitschrift der Gesellschaft für Musiktheorie, 2016
In seinen Arbeiten zur Theorie- und Kompositionsgeschichte ist Carl Dahlhaus einem emphatischen Begriff von Musiktheorie gefolgt wie kaum ein anderer Musikwissenschaftler vor ihm.
Folker Froebe
doaj +1 more source

FROM SCORE TO PERFORMANCE: A SEMIOTIC ANALYSIS OF COMMUNICATIVE STRATEGIES IN MUSICAL CULTURE

Studia Universitatis Babeş-Bolyai. Musica
This article examines the transition from score to performance in contemporary musical culture from a semiotic and communicative perspective. The musical work is interpreted as an open communicative system in which textual, performative, and perceptual ...
Polina KHARCHENKO +4 more
doaj +1 more source

The Gulf between Music Theory and Practice: Subjectivity, Spirituality, and Other Scholarly Inconveniences

Religions, 2023
For much of history, philosophers and theorists have considered the abstract, rational contemplation of music to be the true form of spiritual activity. This has often come at the cost of making the practical aspect of music (which consists of listening,
Ali Yansori
doaj +1 more source

Kann Musiktheorie ›historisch‹ sein? [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2010
In der jüngeren deutschsprachigen Musiktheorie wird das Verhältnis von ›System‹ und ›Geschichte‹ intensiv diskutiert. Im Mittelpunkt des Beitrags steht die Frage nach der unterschiedlichen Funktion des Rekurses auf Theorie- und Kompositionsgeschichte für
Jan Philipp Sprick
doaj +1 more source

Divisions, Areas, and Ensembles - Music History Theory Ethnomusicology

, 2014
Photograph of a Faculty/Staff Group Photo for Music History, Theory, and ...
University of North Texas. College of Music.
core +1 more source

Cadence as a “Metaphor of Instability” and “Conclusive Unity”: A Brief Excursus Between Grammar and Music

Opus, 2019
The structural development of what we understand as cadence has a long and complex history associated with an awareness and appreciation of musical elements assimilated by a decodification process that is related to adapted morphology.
Carlos Cascarelli Iafelice
doaj +1 more source

COMPARISON OF THE EVOLUTION AND RECONCEPTION OF THE ROMANTIC BAGATELLE GENRE IN THE PIANO WORKS OF B. SMETANA AND C. SAINT-SAËNS

Studia Universitatis Babeş-Bolyai. Musica
The genre of piano bagatelle, which is part of miniatures, continues to maintain its relevance in modern musical art and has its own history of evolution and development, which dates more than three centuries.
Yulia FURDUY, Ihor HUTNIK
doaj +1 more source

Globalisation and western music historiography [PDF]

Muzikologija, 2015
Globalisation of musicology and music history aims to fuse the divisions created during Western music’s acme, and is referred to as “post-European historical thinking”. Therefore, “post” and “pre” European historical thinking have much in common.
Romanou Katy
doaj +1 more source

Review of Alexander Rehding. 2003. Hugo Riemann and the Birth of Modern Musical Thought. New York and Cambridge: Cambridge University Press

Current Musicology, 2003
For a long time, historical studies of the sciences adopted a perspective variously known by the names presentist, teleological, essentialist, or Whiggish.
Youn Kim
doaj +1 more source

Sub-faculty of music theory, music history and instrument performing of the Khabarovsk State Institute of Arts and Culture: tendencies and prospects

Высшее образование в России, 2022
The article shows the history of organizing of the Sub-faculty of Music Theory, Music History and Instrument Performing at Khabarovsk State Institute of Arts and Culture. An overview of educational programs and research lines is given as well as problems
U. I. Zasukha, S.YU. Lisenko
doaj

music and books on music
music