Results 21 to 30 of about 204,205,380 (194)

On Music Theory, and Making Music More Welcoming for Everyone

, 2023
Since its inception in the mid-twentieth century, American music theory has been framed and taught almost exclusively by white men. As a result, whiteness and maleness are woven into the fabric of the field, and BIPOC music theorists face enormous ...
Ewell, Philip, Philip Ewell
core   +1 more source

A Study of the styles and characteristics of basic music theory textbooks in China in the past 100 years

Trans/Form/Ação, 2023
Due to various historical and realistic reasons, the development of basic music theory in China lags behind in the teaching system, teaching content and other aspects. It is an important task for Chinese music workers to revise or supplement the current
Feng Yu , Qiming Zhang, Pham Minh Thuy
doaj   +1 more source

Otakar Zich: Aesthetic and Artistic Evaluation, Part 1

Estetika, 2009
In this important article, first published in 1917, the Czech aesthetician, musicologist, and composer Otakar Zich (1879–1934) distinguishes between two kinds of evaluation of a work of art: aesthetic evaluation and artistic evaluation.
Roman Dykast
doaj   +1 more source

Overture "Shéhérazade" by Maurice Ravel: Genre and Semantic Projections

Studia Universitatis Babeş-Bolyai. Musica
The article is devoted to the study of the genre specificity of M. Ravel's overture de féerie "Shéhérazade" (1898) and the identification of its important semantic aspects. The non-traditional genre definition of the composition as an overture de féerie
Valeriya ZHARKOVA, Oleksandr ZHARKOV, Ganna RIZAIEVA   +2 more
doaj   +3 more sources

Zu Dahlhaus’ Historiographie der Musiktheorie im 19. Jahrhundert [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2016
Dahlhaus’ Schriften zur Geschichte der Musiktheorie begleiten seine gesamte Publikationstätigkeit. Ähnlich wie in der Musikgeschichte bildet auch in seinen Texten zur Musiktheorie das 19. Jahrhundert einen Schwerpunkt.
Jan Philipp Sprick
doaj   +1 more source

Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century

Studia Universitatis Babeş-Bolyai. Musica
The article is devoted to studying the implementation/manifestation/reflection of archetypal features of kolomyika, as a traditional genre of Ukrainian folk art, in the music of Ukrainian composers.
Maryna VARAKUTA, Daryna KUPINA, Maryna VOTINTSEVA   +2 more
doaj   +1 more source

Manuel Bryennios: A Theorist of Byzantine Music

Konservatoryum, 2023
This study examines the less known life and historical significance of Manuel Bryennios (M𝛼𝜈o𝜐𝜂𝜆 B𝜌𝜐𝜀𝜈𝜈𝜄o/Manouel Bryennios; circa 1275–1340). He was a theorist of Byzantine music who was active circa 1300 under the reign of Byzantine Emperor Andronikos ...
Erdinç Yalınkılıç, Nazife Oya Levendoğlu, Cenk Güray   +2 more
doaj   +1 more source

Karang Boma: Musical Composition Based on History, Painting and Kawi Dalang Art Creativity Theory

JSM (Jurnal Seni Musik), 2022
The emergence of experimental music is marked by the presence of the figure of John Cage in the 19th century which in music history is often referred to as the period of Modern Music.
Ni Made Ayu Dwara Putri
doaj   +1 more source

“Adagietto” by Gustav Mahler in the Performance Practice of Chinese Conductors: Interpretative Aspects

Studia Universitatis Babeş-Bolyai. Musica
This article explores the distinctive features of the performance interpretation of Gustav Mahler’s symphonies within the context of contemporary Chinese conducting practice.
Tymur IVANNIKOV, Yinuo GENG
doaj   +1 more source

ASTOR PIAZZOLLA’S “HISTORY OF TANGO”: AN ANTHOLOGY OF THE GENRE IN THE AUTHOR’S PROJECTIONS

Studia Universitatis Babeş-Bolyai. Musica
Astor Piazzolla’s chamber cycle “History of Tango” for flute and guitar is examined in terms of its transformation of Latin American, European, and African genre traditions of tango, milonga, samba, habanera, lundu, and maxixe.
Tetiana FILATOVA, Tymur IVANNIKOV
doaj   +1 more source