Results 11 to 20 of about 75,002 (338)

Metaphors or mechanism? Predictive coding and a (brief) history of empirical study of the arts

open access: yesPhilosophical Transactions of the Royal Society of London. Biological Sciences, 2023
Predictive processing (PP) offers an intriguing approach to perception, cognition, but also to appreciation of the arts. It does this by positing both a theoretical basis—one might say a ‘metaphor’—for how we engage and respond, placing emphasis on ...
Helmut Leder, Matthew Pelowski
semanticscholar   +1 more source

A Brief History of Liberal Education in Ancient and Medieval Europe-Focusing on the Formation and Evolution of Liberal Arts

open access: yesThe Korean Association of General Education, 2022
This paper examined the history of liberal education in ancient and medieval Europe, focusing on the formation and evolution of liberal arts using materials concerning the history of education, history of university, history of philosophy, and history of
Sung-Seob Song
semanticscholar   +1 more source

ملكية المقابر خلال العصر المتأخر(664-332ق.م) Tombs Ownership in the Late Period (664-332 BCE) [PDF]

open access: yesJournal of General Union of Arab Archaeologists, 2023
{AR} إن ملكية المقابر تتم في الأغلب بعد إذن ملكى؛ وذلك بعد تخصيص مكان المقبرة ومساحتها، هذا إلى جانب إنشاء كبار الموظفين مقابرهم من أموالهم، ودفع مقابل لكافة الحرفيين العاملين بها كما أوضحت العديد من الشواهد.
Heba Dahy Mohammad
doaj   +1 more source

Herbert Horne — the art critic, art collector and the founder of the museum

open access: yesИскусство Евразии, 2020
The activity of Herbert Horne, an art collector, is regarded in the article due to his great significance as an italianist scolar. Hence, the emphasis is made on the Horne’s work starting from the 1880-s when he dedicated himself to studying different ...
Kozlova, S.I.
doaj   +1 more source

Art and Blockchain: A Primer, History, and Taxonomy of Blockchain Use Cases in the Arts

open access: yesArtivate: A Journal of Enterprise in the Arts, 2019
:Blockchain technology, while commonly associated with cryptocurrencies, stands to bring radical structural change to the arts and creative industries.
A. Whitaker
semanticscholar   +1 more source

History of art paintings through the lens of entropy and complexity [PDF]

open access: yesProceedings of the National Academy of Sciences of the United States of America, 2018
Significance The critical inquiry of paintings is essentially comparative. This limits the number of artworks that can be investigated by an art expert in reasonable time.
Higor Y. D. Sigaki   +2 more
semanticscholar   +1 more source

The glass collection in the All-Russian Museum of Decorative Arts

open access: yesИскусство Евразии, 2021
The article discusses the main principles and sources of the formation of the glass collection at the All-Russian Museum of Decorative Arts, Moscow.
Kazakova, L.V.
doaj   +1 more source

The Painting Industries of Antwerp and Amsterdam, 1500−1700: A Data Perspective

open access: yesArts, 2019
This study presents a data driven comparative analysis of the painting industries in sixteenth and seventeenth century Antwerp and Amsterdam. The popular view of the development of these two artistic centers still holds that Antwerp flourished in the ...
Harm Nijboer   +2 more
doaj   +1 more source

Counterculture and Social Revolution in the Context of Project Activity. Appropriate Technology and the Whole Earth Catalog [PDF]

open access: yesХудожественная культура
The article examines the importance of counterculture and alternative technologies, primarily appropriate technologies, in shaping the environmental movement aimed at using scientific achievements, new technologies, ecological thinking, and ecodesign in ...
Sazikov Aleksey V.
doaj   +1 more source

The Practice of ‘Substitute Brush’ in Chinese Art Culture [PDF]

open access: yesХудожественная культура
Even though Chinese artists sometimes entrusted doing calligraphy or painting to their disciples, apprentices, close family members or friends, those artworks were still considered original works of authorship. Such practice was named ‘substitute brush’ (
Odinokova Polina S.
doaj   +1 more source

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